track_id int64 0 340 | language stringclasses 38
values | audio audioduration (s) 24.6 889 | abc stringlengths 250 52.5k | native_doc stringlengths 79 6.01k | en_doc stringlengths 409 13.1k |
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0 | ar | X:1
T:لَمَّا بَدَا يَتَثَنَّى
L:1/8
M:10/4
I:linebreak $
K:Bb
V:1 treble
V:1
z20 | z20 | z20 | z20 | z20 |$ z4 z4 z8 z2 D2 |$ %6
G4 AB (c3/2B/4c/4) (BA)(({/B} A)G) (G^F) (PG4 D2) | %7
G4 (AB) (c3/2B/4c/4) (BA)(({/B} A)G) (G^F) G4 AB |$ c>d cB cd({/c2} B3) A({/A2B2} A2) G^F G4 A2 | %9
^F4 PG2({/G} E3) D ED EF({/PF}... | ### **ملف موسيقي: لَمَّا بَدَا يَتَثَنَّى** **1. الخلفية التاريخية والإبداعية:**
"لَمَّا بَدَا يَتَثَنَّى" هو موشح أندلسي يُعد من أشهر المقطوعات في التراث الموسيقي العربي. نشأ هذا الفن في الأندلس (حوالي 711-1492 م)، وهو يعكس الرقي الثقافي والفني لتلك الحقبة. هناك خلاف بين المؤرخين حول هوية المؤلف والملحن الأصليين؛ حيث ... | ### **Musical Dossier: Lammā Badā Yatathannā** **1. Historical & Creative Background:**
"Lammā Badā Yatathannā" is an Andalusian *muwashshah* considered one of the most famous pieces in the Arab musical heritage. This art form originated in Al-Andalus (c. 711-1492 CE) and reflects the cultural and artistic sophisticati... | |
1 | ar | X:1
T:البنت الشلبية
L:1/16
M:4/4
I:linebreak $
K:Eb
V:1 treble
V:1
z16 | z16 | z16 | z16 | z2({/C} G2) G2G2 (A/G/A)FA G4 | z (CG)G A2c2 =BPAA(G PG4) |$ %6
z2 A2 A2A(G G2)FE PGFED | C2DE (FE)ED EDC=B, CDEF | G2 A2 A2A(G G2)FE PGFED |$ %9
C2DE FEED (D/C/D)C=B, C4 | z2 G2 G2>G2 (A/G/A)FA G4 | z2 G>G A2c2 =B(PAA)(G F4)... | ### الخلفية التاريخية والإبداعية
"البنت الشلبية" هي أغنية فلكلورية شهيرة من منطقة بلاد الشام، وتحديداً من التراث السوري واللبناني. اكتسبت الأغنية شهرة واسعة في العالم العربي بعد أن غنتها السيدة فيروز في أواخر الخمسينيات من القرن الماضي، بتوزيع موسيقي جديد من الأخوين رحباني (عاصي ومنصور). هناك جدل حول أصل اللحن؛ حيث تشي... | ### Historical and Creative Background
"Al-Bint al-Shalabiyya" is a famous folk song from the Levant region, specifically from Syrian and Lebanese heritage. The song gained widespread fame in the Arab world after it was sung by Fairuz in the late 1950s, with a new musical arrangement by the Rahbani Brothers (Assi and M... | |
2 | ar | X:1
T:يا الرايح
L:1/16
M:2/4
I:linebreak $
K:F
V:1 treble
V:1
z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |$ z8 | z8 |$ z8 | z8 | z8 | z8 | z8 | z4 z4 | %18
z8 | z8 | z8 | z8 | z8 | z8 |$ z8 |$ z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |$ %37
z8 |$ z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8... | ### **ملف تعريفي وتحليلي لأغنية «يا الرايح»**
### **مقدمة**
تُعد أغنية «يا الرايح» واحدة من أشهر الأغاني الجزائرية وأكثرها انتشارًا خارج الجزائر. كتبها ولحّنها وأدّاها الفنان دحمان الحراشي، أحد أبرز أعلام فنّ الشعبي الجزائري. ظهرت الأغنية عام 1973، واكتسبت شهرة واسعة تجاوزت حدود الجزائر، ثم تعرّف إليها جمهور عالمي أو... | ### **Complete Musical Dossier: Ya Rayah** **Introduction** The song "Ya Rayah" (O, You Who Are Leaving) is one of the most famous Algerian songs worldwide. It was written and composed by Dahmane El Harrachi, who is considered a pillar of Algerian Chaabi music. Released in 1973, the song gained widespread fame, crossin... | |
3 | ar | X:1
T:فوق النخل
L:1/8
Q:1/4=104
M:4/4
I:linebreak $
K:C
V:1 bass nm="男声"
V:1
z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |$ z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |$ %19
z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |$ z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | %38
z8 |$ z8 | z8 | z8 | z8 | z8 | z8 | z8 ... | ### **الملف الموسيقي الكامل: فوق النخل** **مقدمة** تُعد أغنية "فوق النخل" (أو "فوك النخل" باللهجة العراقية) من أشهر الأغاني التراثية في العراق والوطن العربي. ورغم الجدل الدائر حول أصل كلماتها، فإنها تبقى قطعة فنية خالدة تجسد غنى التراث الموسيقي البغدادي. **1. الخلفية التاريخية والإبداعية** * **الأصل والملحن:** هناك إجم... | ### **Complete Musical Dossier: Fawq al-Nakhl** **Introduction** The song "Fawq al-Nakhl" (or "Fog el-Nakhel" in the Iraqi dialect), meaning "Above the Palm Trees," is one of the most famous traditional songs in Iraq and the Arab world. Despite the debate surrounding the origin of its lyrics, it remains a timeless work... | |
4 | ar | X:1
T:قارِئةُ الفِنجان
L:1/8
Q:1/4=65
M:4/4
I:linebreak $
K:Bbmin
V:1 bass nm="男声"
V:1
z8 | z8 | z8 | z8 | z8 |[M:5/4] z10 |[M:4/4] z8 |$[Q:1/4=60] B,,/=G,,/=A,, z2 z2 B,,/G,,/A,, | %8
({=A,,} B,,/)A,,/B,,/A,,/ B,,/A,,/B,,/A,,/ C,B,,/A,,/ z2 | z2 z/ =A,,/C,/C,/ C,/C,/C, C,C, |$ %10
C,/C,/D,/4E,/4D,/4C,/4 D,2 z2 z D, ... | # الملف الموسيقي الشامل: قارِئةُ الفِنجان
## 1. العنوان والتعريف
* **العنوان الأصلي:** قارِئةُ الفِنجان
* **العنوان بحروف لاتينية:** Qareat El Fengan
* **الترجمة الإنجليزية:** The Coffee Cup Reader
* **المؤدي الأصلي:** عبد الحليم حافظ (العندليب الأسمر)
* **اللغة:** اللغة العربية الفصحى
## 2. الخلفية التاريخية والإبدا... | # Comprehensive Musical Dossier: Qareat El Fengan
## 1. Title and Identification
* **Native Title:** قارِئةُ الفِنجان
* **Transliterated Title:** Qareat El Fengan
* **English Translation:** The Coffee Cup Reader
* **Original Performer:** Abdel Halim Hafez (Known as "The Dark-Skinned Nightingale")
* **Language:** Class... | |
5 | bg | X:1
T:Излел е Дельо хайдутин
L:1/16
Q:1/4=50
M:5/4
I:linebreak $
K:Bmin
V:1 treble nm="声部" snm="声部"
V:1
A4({A} B16-) |[M:4/4] B2>!~(!B2 d2P^c!~)!B- B8 |[M:5/4] MA2E2- E16 |[M:4/4] A2AB- B8- B2>B2 |$ %4
[M:9/4] A/B/A/^G/A2- A4 (5:4:5A/B/A/G/A/B2 (3F2F2F2 PF2ED E12 z4 |[M:4/4] A4 A>BA^G AMGF2- F4- |$ %6
[M:4/4] F({/G}F)... | „Излел е Дельо хайдутин“ е българска народна песен от Родопската фолклорна област, която разказва за Дельо войвода, легендарен хайдутин, действал в края на XVII и началото на XVIII век. Историческата достоверност на Дельо е предмет на дебат сред историците, но той е централна фигура в родопския фолклор, възпят като зак... | “Izlel e Delyo haydutin” is a Bulgarian folk song from the Rhodope folklore region, which tells the story of Delyo Voyvoda, a legendary haiduk (rebel fighter) active in the late 17th and early 18th centuries. The historical authenticity of Delyo is a subject of debate among historians, but he is a central figure in Rho... | |
6 | bg | X:1
T:Притури се планината
L:1/16
Q:1/4=60
M:4/4
I:linebreak $
K:A
V:1 treble nm="Soprano" snm="S."
V:1
"^"{G} A8 (3(GAGF2) A2(A2- | A12- (9:8:9A/B/A/G/A/B/A/G/F/) |$ %2
[M:5/4]({G} A2(5:4:5B/A/G/A/B/) (3(GAGF2) G2(G2- G4- G2A/B/A/G/ |$[M:4/4] A2(5:4:5B/A/G/F/E/ F12- | %4
[M:3/4] F8) z4 |[M:3/4]{G} A8- A2(G/A/G/F/) |[... | „Притури се планината“ е българска народна песен, която придобива световна известност в средата на XX век. Първоначално научена от певицата Стефка Съботинова (1930-2010) от нейната баба от Западна Тракия, песента е представител на тракийската фолклорна област. **Исторически и творчески контекст**
Първият аранжимент на ... | “Prituri se planinata” is a Bulgarian folk song that gained worldwide fame in the mid-20th century. Originally learned by the singer Stefka Sabotinova (1930-2010) from her grandmother from Western Thrace, the song is representative of the Thracian folklore region. **Historical and Creative Context**
The first arrangeme... | |
7 | bg | X:1
T:Дилмано, Дилберо
L:1/8
Q:1/8=200
M:9/8
I:linebreak $
K:Emin
V:1 treble
V:1
z9 | z4 z2 z E2 |[M:8/8] AB/GF/E F3/2E3/2E | AB/GF/E F3/2E3/2E |$[M:9/8] FE/FE/GE F3/2E3/2E |$ %5
FE/FE/GE F3/2E3/2E |[M:8/8] AB/GF/E F3/2E3/2E | AB/GF/E F3/2E3/2E |[M:9/8] FE/FE/GE F3/2E3/2E |$ %9
FE/FE/GE F3/2E3/2E |[M:8/8] Bc/BA/A A... | „Дилмано, Дилберо“ е една от най-известните и жизнени български народни песни, произхождаща от Шопската фолклорна област, и по-конкретно от района на Бурел. Първоначално е хумористична трудова песен, изпълнявана по време на селскостопанска работа, но носи и по-дълбок, закачлив смисъл, свързан с ритуалите на първата бра... | "Dilmano, Dilbero" is one of the most famous and vibrant Bulgarian folk songs, originating from the Shopluk ethnographic region, and more specifically from the Burel area. It was originally a humorous work song performed during agricultural activities, but it also carries a deeper, playful meaning associated with the r... | |
8 | bg | X:1
T:Кавал свири
%%score ( 1 2 )
L:1/8
Q:1/4=66
M:4/4
I:linebreak $
K:C
V:1 treble
V:2 treble
V:1
E2 ^F2 !fermata!G3 G/A/ | ^F2 G4{/=F} E2 |[M:5/4] F2 E4 !fermata!z4 |$[M:4/4] E^F G4 G/A/F | %4
[M:3/4] G4{/F} E2 |[M:4/4] =F2 E2 !fermata!z4 | E^F G4 G/A/F |[M:3/4] G4{/F} E2 |$ %8
[M:4/4] =F2 E2 !fermata!z4 ||$[K:Emi... | „Кавал свири“ е българска народна песен, придобила световна известност благодарение на аранжимента на композитора Петър Льондев. Въпреки че мелодията е фолклорна, версията, която пленява международната публика, е обработката за женски хор, създадена от Льондев през 1979 г. **Исторически и творчески контекст**
Песента п... | “Kaval sviri” is a Bulgarian folk song that achieved worldwide fame thanks to the arrangement by composer Petar Lyondev. Although the melody is traditional, the version that captivated international audiences is the arrangement for a female choir created by Lyondev in 1979. **Historical and Creative Context**
The song ... | |
9 | bg | X:1
T:Лудо младо
L:1/8
Q:1/4=120
M:7/8
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:1
"^Allegro" x7 | x7 | x7 | x7 | x7 | x7 | x7 | x7 | x7 | x7 | x7 | x7 | x7 | x7 | x7 | x7 |$ %16
"^（7拍子划分为3+2+2）" ([A,C]2 [B,D] [CE]2 [A,C]2) | ([A,C] [B,D]2 [DF]2 [DF][CE]-) | %18
[CE] [CE]2- [CE]4- | [CE]3 z4 |$ ([A,C]2 [B,D... | „Лудо младо“ е една от най-популярните български песни, която мнозина погрешно смятат за народна. В действителност тя е авторска композиция, създадена през 1970 г. от композитора Атанас Бояджиев (1926–2017) по текст на поета Богомил Гудев (1934–1993). Първоначалното заглавие на песента е „Откъде да взема сила“. **Истор... | "Ludo mlado" is one of the most popular Bulgarian songs, often mistaken for a folk song. In reality, it is an original composition created in 1970 by the composer Atanas Boyadzhiev (1926–2017) with lyrics by the poet Bogomil Gudev (1934–1993). The original title of the song was "Откъде да взема сила" (Where to Get Stre... | |
10 | bn | X:1
T:খাঁচার ভিতর অচিন পাখি
L:1/8
Q:1/4=50
M:3/4
I:linebreak $
K:E
V:1 treble
V:1
"^Largo" z2 z2 z (C/B,/ | PCF/F/ !fermata!F2) z (F/F/ | F/GF/ F<PG PF>E | D/ETD/ !fermata!C4) |$ %4
z2 z2 z (C/B,/ | PCF/F/ !fermata!F2) z (A/A/ | G/AG/ F/PGF/ PED | %7
{/C} !fermata!E2){/CE} !tenuto!!fermata!C4 |$ z2 z2 z (A,/B,/ | C2)... | পরিচয় ও প্রেক্ষাপট:
"খাঁচার ভিতর অচিন পাখি" একটি অত্যন্ত জনপ্রিয় ও প্রভাবশালী বাংলা বাউল গান। এটি রচনা করেছেন উনিশ শতকের মরমী সাধক, দার্শনিক ও গীতিকার ফকির লালন শাহ (আনুমানিক ১৭৭৪-১৮৯০)। এই গানটি লালনের দেহতত্ত্বমূলক গানের এক উৎকৃষ্ট উদাহরণ, যেখানে মানবদেহ এবং আত্মার মধ্যকার রহস্যময় সম্পর্ক তুলে ধরা হয়েছে। লালন তাঁ... | Identification and Background:
"Khachar Bhitor Ochin Pakhi" is an immensely popular and influential Bengali Baul song. It was composed by the 19th-century mystic saint, philosopher, and songwriter Fakir Lalan Shah (c. 1774–1890). This song is a prime example of Lalan's "Deha-Tattva" (philosophy of the body) songs, whic... | |
11 | bn | X:1
T:আগে কী সুন্দর দিন কাটাইতাম
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:B
V:1 treble
V:1
"^Allegro" z2"^男女合唱" (cc cc | c c2 c d2 | B2 B2 AB | A G3) z2 |"^女独唱" (c2 cc cc | c c2 c d2 |$ %6
B2 B2 AB | A G3) z2 |"^男独唱" (GB B2 AB | A G2 F FF | F G2 B D2 | C2 B,2) z2 |$ x6 | x6 | x6 | x6 | %16
x6 | x6 | x6 | x6 |"^男女合唱" z2... | ### **সঙ্গীত পরিচিতি: আগে কী সুন্দর দিন কাটাইতাম** **পটভূমি ও ইতিহাস:**
"আগে কী সুন্দর দিন কাটাইতাম" বাংলা লোকসংগীতের এক অবিস্মরণীয় সৃষ্টি, যা বাউল সম্রাট শাহ আব্দুল করিমের (১৯১৬-২০০৯) লেখা ও সুর করা। এই গানটি তাঁর অন্যতম বিখ্যাত এবং বহুল প্রশংসিত কাজ হিসেবে বিবেচিত হয়। গানটি প্রথম প্রকাশিত হয় ১৯৮১ সালের সেপ্টেম্বর ম... | ### **Musical Dossier: Age Ki Sundor Din Kataitam (What Beautiful Days We Once Lived)** **Historical & Creative Background:**
"Age Ki Sundor Din Kataitam" is an unforgettable creation in Bengali folk music, written and composed by the Baul emperor Shah Abdul Karim (1916-2009). It is considered one of his most famous an... | |
12 | bn | X:1
T:আমায় ভাসাইলি রে
%%score ( 1 2 )
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:F#
V:1 treble
V:2 treble
V:1
"^Lento" x8 | x8 | x8 | x8 | z2 (3(CDE (3GGTA-) A2- | A4 z2 (3(Acc |$ d8) | z2 (3(ddd e2) (3(ded | %8
(3:2:2c A2-) A4 (3(Acd |$ e>d d2 A2 c<c-) |$ c4 z4"^(速度加快,进入伴奏)" ||$"^Prestissimo"[Q:1/4=180] x8 | %12
x8 | x8... | ### **গানের পরিচিতি** "আমায় ভাসাইলি রে" একটি বিখ্যাত বাংলা ভাটিয়ালি লোকগীতি। এই গানটির কথা লিখেছেন প্রখ্যাত পল্লীকবি জসীমউদ্দীন এবং এটি প্রথম জনপ্রিয় করেন কিংবদন্তী শিল্পী আব্বাসউদ্দীন আহমদ। যদিও গানটির সুরকে ঐতিহ্যবাহী লোকসুর হিসেবে বিবেচনা করা হয়, তবে আব্বাসউদ্দীনের কণ্ঠেই এটি অমরত্ব লাভ করে। গানটি মূলত মাঝিদের গা... | ### **Introduction to the Work** "Amay Bhasaili Re" is a famous Bengali Bhatiali folk song. The lyrics of this song were written by the renowned pastoral poet Jasimuddin, and it was first popularized by the legendary artist Abbasuddin Ahmed. Although the tune is considered a traditional folk melody, it achieved immorta... |
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