Daily Papers

In this work, we explore the use and reliability of Large Language Models (LLMs) in musicology. From a discussion with experts and students, we assess the current acceptance and concerns regarding this, nowadays ubiquitous, technology. We aim to go one step further, proposing a semi-automatic method to create an initial benchmark using retrieval-augmented generation models and multiple-choice question generation, validated by human experts. Our evaluation on 400 human-validated questions shows that current vanilla LLMs are less reliable than retrieval augmented generation from music dictionaries. This paper suggests that the potential of LLMs in musicology requires musicology driven research that can specialized LLMs by including accurate and reliable domain knowledge.

Recent advances in large language models (LLMs) have transformed open-domain question answering, yet their effectiveness in music-related reasoning remains limited due to sparse music knowledge in pretraining data. While music information retrieval and computational musicology have explored structured and multimodal understanding, few resources support factual and contextual music question answering (MQA) grounded in artist metadata or historical context. We introduce MusWikiDB, a vector database of 3.2M passages from 144K music-related Wikipedia pages, and ArtistMus, a benchmark of 1,000 questions on 500 diverse artists with metadata such as genre, debut year, and topic. These resources enable systematic evaluation of retrieval-augmented generation (RAG) for MQA. Experiments show that RAG markedly improves factual accuracy; open-source models gain up to +56.8 percentage points (for example, Qwen3 8B improves from 35.0 to 91.8), approaching proprietary model performance. RAG-style fine-tuning further boosts both factual recall and contextual reasoning, improving results on both in-domain and out-of-domain benchmarks. MusWikiDB also yields approximately 6 percentage points higher accuracy and 40% faster retrieval than a general-purpose Wikipedia corpus. We release MusWikiDB and ArtistMus to advance research in music information retrieval and domain-specific question answering, establishing a foundation for retrieval-augmented reasoning in culturally rich domains such as music.

Music autotagging aims to automatically assign descriptive tags, such as genre, mood, or instrumentation, to audio recordings. Due to its challenges, diversity of semantic descriptions, and practical value in various applications, it has become a common downstream task for evaluating the performance of general-purpose music representations learned from audio data. We introduce a new benchmarking dataset based on the recently published MGPHot dataset, which includes expert musicological annotations, allowing for additional insights and comparisons with results obtained on common generic tag datasets. While MGPHot annotations have been shown to be useful for computational musicology, the original dataset neither includes audio nor provides evaluation setups for its use as a standardized autotagging benchmark. To address this, we provide a curated set of YouTube URLs with retrievable audio, and propose a train/val/test split for standardized evaluation, and precomputed representations for seven state-of-the-art models. Using these resources, we evaluated these models in MGPHot and standard reference tag datasets, highlighting key differences between expert and generic tag annotations. Altogether, our contributions provide a more advanced benchmarking framework for future research in music understanding.

The Musical Instrument Digital Interface (MIDI), introduced in 1983, revolutionized music production by allowing computers and instruments to communicate efficiently. MIDI files encode musical instructions compactly, facilitating convenient music sharing. They benefit Music Information Retrieval (MIR), aiding in research on music understanding, computational musicology, and generative music. The GigaMIDI dataset contains over 1.4 million unique MIDI files, encompassing 1.8 billion MIDI note events and over 5.3 million MIDI tracks. GigaMIDI is currently the largest collection of symbolic music in MIDI format available for research purposes under fair dealing. Distinguishing between non-expressive and expressive MIDI tracks is challenging, as MIDI files do not inherently make this distinction. To address this issue, we introduce a set of innovative heuristics for detecting expressive music performance. These include the Distinctive Note Velocity Ratio (DNVR) heuristic, which analyzes MIDI note velocity; the Distinctive Note Onset Deviation Ratio (DNODR) heuristic, which examines deviations in note onset times; and the Note Onset Median Metric Level (NOMML) heuristic, which evaluates onset positions relative to metric levels. Our evaluation demonstrates these heuristics effectively differentiate between non-expressive and expressive MIDI tracks. Furthermore, after evaluation, we create the most substantial expressive MIDI dataset, employing our heuristic, NOMML. This curated iteration of GigaMIDI encompasses expressively-performed instrument tracks detected by NOMML, containing all General MIDI instruments, constituting 31% of the GigaMIDI dataset, totalling 1,655,649 tracks.