The Alternative/Indie song features an intimate, widely spread, mixed vocals singing over noisy snare, punchy kick, wide tinny hi hats, electric guitar melody, synth lead melody and groovy bass guitar. At the end of the loop there is a short snare roll and some claps. It sounds easygoing and melancholic thanks to those vocals.

Where we meet Watching classes in dissent Whoever made the rules

intimate wide mixed vocals
synth lead melody
punchy kick
noisy snare
claps
groovy bass guitar
tinny wide hi hats
short snare roll
alternative/indie
electric guitar melody
easygoing
melancholic

Where we meet, watching classes in dissent, whoever may.


The low quality recording features a R&B song playing on a speaker, judging by the reverberant and boomy sound of it. The song consists of passionate male vocal singing over shimmering hi hats, claps, groovy bass and "4 on the floor" kick pattern, It sounds passionate, like something you would dance to with your partner.

Oh, it may waste your love, I'll never know. I can't wait till I get you alone.

low quality
r&b
boomy
passionate male vocal
claps
shimmering hi hats
groovy bass
noisy
passionate
speaker
reverberant
4 on the floor kick

Oh, in the way to love I'll never know I can't wait to leave you alone


Two female voices are singing in harmony to a ukulele strumming chords. One of the voices is deeper and the other one higher. This song may be jamming together at home.

I woke up to a new dawn breaking. You were on my mind. There's so many roads to a

pop
ukulele
female voices singing
harmony
amateur recording
medium to uptempo

catchy melody
upbeat rhythm
guitar accompaniment

I woke up to a new dawn breaking, you were on my mind. There's so many roads to work.


This composition contains an upright bass playing softly along to a harp and strings playing a melody while a male deep voice is softly singing a melody sounding like telling a story. The song sounds like it was made for Christmas. This song may be playing at home having dinner with the whole family.

Long time ago in Bethlehem, so the Holy Bible says,

parole
strings
upright bass
harp
male deep voice singing


A male vocalist sings this soft love song. The tempo is slow with a romantic piano accompaniment, groovy bass line, steady drumming and ambient saxophone harmony. The song is a romantic, emotional, mellow, sentimental, proposal or wedding song. This song is a R&B/Soul song.

very tight swear i do in my oh yes if you do right by her she'll be

male singer
slow tempo
romantic piano
ambient music
saxophone harmony
steady drumming
groovy bass line
r&b
soul
blues
jazz
complex harmony
syncopated
pleasant
romantic
emotional
sentimental
love song
wedding song
proposal song

smooth vocals
guitar solos
strings arrangement

Very tight, swear I'm doing mine Oh yes, yes, you do right by her, she'll be


A male vocalist sings this Rap. The tempo is slow with enthusiastic drumming, syncopated piano harmony, digital beats ,keyboard arrangements with vocal backup and a catchy vocal riff. The rap is catchy, youthful, insightful, enthusiastic, intense, passionate, emotional and persuasive. This song is contemporary Rap/Hip-Hop.

For the truth and the being as beaming as the moon queen. You bless my future to be with bismillah. For the soul's anguished love and the moment my brothers programmed these drums.

male vocalist
slow tempo
hip-hop
rap
progressive
vocal backup
youthful
funky snare drumming
digital beats
syncopated piano accompaniment
groovy bass line
synthesiser arrangements
persuasive
story telling
rhythmic patter
rhythmic speech
intense
passionate
emotional
intense
vocal riff

for the truth and a being as beaming as the moon queen you bless my future to be with bismillah for the souls anguish love and the moment my brothers program these drums


The Rock song features a passionate male vocal, alongside harmonizing male vocals, singing over wide electric guitar melody, groovy bass guitar, punchy kick and snare hits and some shimmering cymbals. It sounds energetic and kind of addictive thanks to those harmonizing vocals - like something you would hear on a radio during the 00s.

Such a far something I couldn't find at home Can't get no job

rock
passionate male vocal
harmonizing male vocals
wide electric guitar melody
groovy bass
punchy kick
punchy snare
shimmering cymbals
energetic
addictive

So I checked for something I couldn't find at home Yeah, I got no job


This is a song for children. The song is in major key as is usual with almost all kids songs. There is a female vocalist in the lead. The melody is being played by an acoustic guitar while a bass guitar plays a simple bass line. The electric guitar is playing delayed notes for texture. The acoustic drums are playing a basic medium tempo beat in the rhythmic background. The atmosphere is easygoing. This piece could be used during activities in a kindergarten.

Be your own life, sway side to side and jump high.

children's song
female vocal
acoustic guitar
electric guitar
bass guitar
acoustic guitar
repeated theme
acoustic drums
simple
easygoing
playful
medium tempo


The low quality recording features a live performance of an Alternative/Indie song and it consists of passionate female vocal singing over acoustic guitar strummed chord and wooden percussive element. The recording is noisy and the vocal is slightly moving throughout the stereo image making it unbalanced. It sounds passionate and emotional.

The truth is I haven't got a clue. One thing you know where I'm going.

low quality
noisy
alternative/indie
wooden percussive element
acoustic guitar strummed chord
passionate female vocal
emotional
passionate
live performance
unbalanced stereo image

audience applause
vibrant energy
raw edge

The truth is I haven't got a clue One thing I know where I'm going


A male vocalist sings this mellow rap. The tempo is medium with a groovy bass line, keyboard harmony , slick drumming and vocal backup. The song is youthful, story telling, passionate, impactful, compelling and engaging. This song is contemporary Hip-Hop/Rap.

Count the blessings they gave me, that's zero Now y'all see me as a hero Jealous that y'all ain't me lately Keep your friends close and enemies in your pocket

male singer
slow tempo
funky bass lines
intense drumming
synthesiser arrangements
vocal backup
hip-hop
rap
pop rap
hip-hop hits
disco rap
rhythmic speech
story telling
passionate
emotional
persuasive
compelling
engaging
persuasive
youthful

catchy hooks
strong beats
creative lyrics

Count the blessings they gave me, that's zero Now y'all see me as a hero, jealous that y'all ain't me, lately Keep your friends close and enemies in your pocket


The male mid to high range voice sings loudly and full of emotions pouring out of his soul while strumming some minor chords on the guitar. This recording is of poor quality. This song may be played in an open mic, poetry bar.

country/pop/singersongwriter
acoustic guitar
male singer
emotional
soulful

Only long time, but it's over now.

Only long time, but it's over now.

One day long time but it's over now.

One day long time but it's over now.


This is the performance of an Irish folk song using a banjo and a mandolin. The singer is elderly and the guitars are layered. The banjo is used to play a simple motif that revolves around two chords.

live performance
low quality audio
folk music
banjo
mandolin
irish bouzouki guitark
irish folk singing
eldery male vocals

The Lady Satin Hood Chamberlain.

The Lady Satin Hood Chamberlain.

A lady sat in her chamberlain.

A lady sat in her chamberlain.


This is a Christian gospel music piece. There is a male vocalist singing melodically at the forefront. The simple tune is being played by a mellow acoustic guitar. The piece has a deep and passionate atmosphere. It could be used in Christian religious events and gatherings. It could also be used in the background of Christian social media content.

Call me friend, for I've been lost in the wilderness.

gospel music
christian
acoustic
male vocal
melodic singing
acoustic guitar
simple tune
religious
deep
passionate

name and call me friend for I've been lost in the wilderness


This is an instructive recording of a male vocalist singing in an erotic manner. A backwards reverb effect is applied to the vocal which gives the track a feeling of anticipation. This track could be used to exemplify the use of the backwards reverb effect in sound design courses.

Will you bruise me when I'm inside of you?

male vocal
medium-pitch singing
erotic
anticipation
sound effects
sound design
mixing
music production

sensual lyrics
smooth melody
intimate atmosphere


Male singers sing this vocal harmony. The song is medium fast tempo with a groovy bass line, steady drumming rhythm, piano accompaniment and guitar rhythm. The song is devotional and congregational. The song is a classic Christian praise hit.

Even I walk through without you, will you walk beside me? Will you hold my hand when it's time to cross?

male singers
vocal harmony
people clapping
acapella
poor audio quality
steady drumming rhythm
piano accompaniment
guitar rhythm
groovy bass line
christian contemporary music
praise and worship
christian praise hits
devotional
meditational
congregational
inspiring
motivational
hymns
medium fast tempo

He will I walk through without, He will He walk beside me, will He hold my hand when it's time to cross the sea.


A male and female child singers sing this vocal duet in harmony. The song is medium tempo with keyboard accompaniment , groovy bass line and an enthusiastic drumming rhythm. The song is passionate and loving. The song is a retro tv show tune and in poor audio quality.

Baby, our love replaced these rays of light on everyone in the world.

male singer
female singer
child tv stars
vocal duet
vocal harmony
poor audio quality
keybiard harmony
amateur singing
emotional al
medium tempo
r&b music influences
tv show tune
inspirational love song
romantic
adorable
steady drumming rhythm
groovy bass line
retro tv show tunes
children singing

children performing
nostalgic
uplifting lyrics

Maybe our love reflects its rays of light on everyone in


A male vocalist sings this retro classic melody. The tempo is slow with a melodious electric guitar lead, soft acoustic guitar accompaniment and subtle bass complimenting the soft vocals and backup. The song is mellow, melancholic, pensive, insightful, euphonious, dulcet and soothing. There is a sound of static in the background. This song is classic Rock.

I've come to talk with you again because a vision softly creeping left its seeds wide

male vocalist
slow tempo
static
vocal backup
insightful
mellow
melodious
soft
melancholic
pensive
sad
nostalgic
retro
elcetric guitar lead
rhythmic acoustic guitar
classic pop
pop hits
soft bass line

I've come to talk with you again Because a vision softly creeping Left its seeds while


The music features a male voice singing a melody while being backed at times by other male vocals. A piano accompanies the singer by playing a combination of chords and melody. For the most part a marimba plays in unison with the singer. In the low register, a synth bass plays long notes. The drummer makes use of only the hi-hat and China cymbal.

Bye, Dave. No need to cry when life is perfect. Don't make a fuss unless you're worth it. On and on, Dave.

male voice
male backing vocals
piano
marimba
bass synth
hi-hat
china cymbal

By day no need to cry when life is perfect. Don't make a fuss unless you're worth it on and on day


A male vocalist sings this energetic pop song. The tempo is fast with an animated keyboard harmony, vigorous drumming, punchy bass lines, vibrant tambourine beats and an enthusiastic vocal backup riff. The song is a remix of an old song. It is vibrant, peppy, punchy, vibrant, vociferous. This song is Pop Rock.

Buffalo's happening now, we're on the move now The bills are happening now, they're making it happen now We've got the spirit, a lot of spirit, yeah

male vocalist
fast tempo
punchy
jingle
remix
buoyant
pop
pop rock
lively vocal backup
energetic
buoyant
customised song
cheerfully
animated keyboard harmony
tambourine beats
hard hitting drums
punchy bass lines
gallopy rhythm

Buffalo's happening now, we're on the move now, the fields are happening now, they're making it happen now, we've got the spirit, a lot of spirit, yeah!


The low quality recording features a southern rock song that consists of flat male vocal singing over wide acoustic rhythm guitars, short electric guitar lick, smooth bass guitar, punchy snare, simple kick pattern and shimmering hi-hats. It sounds happy and fun.

Number 114. Some in quantities so small that they've never been seen. Most are common elements that are far and wide dispersed, but

low quality
flat male vocal
wide acoustic rhythm guitar
short electric guitar lick
smooth bass guitar
punchy snare
simple kick pattern
shimmering hi hats
happy
fun
southern rock

Number 114 Summon quantities so small that they have never been seen. Most are common elements that are far and wide dispersed,


This is an amateur vocal cover of a pop music piece. There is a teen female vocalist singing melodically. On the backing track, an acoustic guitar is heard playing the main theme while an acoustic sounding drum track is playing the rhythmic background. The atmosphere is melancholic.

If I tell the world I'll never say enough Cause it was not said to you And that's exactly what I want

pop music
teen female vocal
melodic singing
acoustic guitar
simple drum track
melancholic
emotional

If I tell the world I'll never say enough, cause it was not said to you, and that's exactly


This is a remix of an R&B soul piece. There is a male vocal singing in a laid-back manner joined by an auto-tuned male vocal. The keyboard provides the melody with a gentle bass guitar playing in the background. The rhythmic structure is composed of the acoustic drums and the percussion playing a medium tempo beat. The atmosphere of the piece is groovy and there is a feelgood aura to it. This piece could be used in the soundtrack of a sitcom.

The work to be done. Let the music play on. I'm feeling the vibe, you know I'm feeling good.

r&b
soul
remix
male vocals
auto-tuned singing
keyboard
bass
acoustic drums
percussion
electric guitar
groovy


The recording features a live performance of a pop song that consists of passionate female vocal singing over groovy piano melody, sustained strings melody, smooth bass, widely spread shimmering shaker, snaps and snappy rimshots. It sounds euphoric, as it brings a Christmassy vibe, and is also happy and nostalgic.

In a jingle bell time, dancing and prancing, A jingle bell square, in the frosty air.

live performance
pop
passionate female vocal
sustained strings melody
groovy piano melody
smooth bass
wide shimmering shakers
snaps
snappy rimshots
euphoric
happy
nostalgic

uplifting chorus
energetic drums
funky guitar riffs

In a jingle bell time, dancing and prancing in a jingle bell square, in the frosty air.


A male vocalist sings this song. The tempo is slow, with intense drumming; keyboard harmony, groovy bass lines and electric guitar harmony in the background. The vocalist is singing a dissonant tune along with syncopated music over the melodious and rhythmic background. This is probably karaoke.

But before we get crazy, before we explode, there's something about me baby.

melodious background electric guitar harmony

heavy bassline
grand piano harmony
driving guitar solo

But before we get crazy, before we explode, there's something about me, baby.


A female voice is singing soulfully, sounding a little airy and sensual. Someone is playing neo-soul chords on an e-guitar. This song may be playing at home singing along to a karaoke song. This is an amateur recording.

Today, today, I'm officially missing you. I've learned that from

r&b/soul
female voice singing
e-guitar
sensual
soulful
amateur recording
medium to uptempo

I'm officially missing you. I found that phone.


This slow pop song features a male voice singing the main melody. This is accompanied by an acoustic guitar plucking chords. Another acoustic guitar plays in harmony with the first guitar. The mood of this song is romantic. The voice is calming and the song is relaxing. The bass notes are accented and toward the end, the bass notes slide to the next note. This song can be played in a romantic movie.

Ate a stone, will make you strong I've been alone for oh so long

slow song
male voice
guitar
easy listening
relaxing song
slow tempo
romantic theme
bass notes
no percussion
emotive voice
calming voice

Need a stone, will make you strong I've been alone for oh so long


This is a pop music piece. The words are being sung by two vocals: one male and one female which lead to a duet for the chorus. There is a banjo and an electric guitar playing the melody while a simple electronic drum beat provides the rhythmic background for the song. It is a slightly melodic and emotional song. This piece could be used in the soundtrack of a romantic drama during a flashback scene.

Now the white flag's gonna wave There's nothing left to save Blame, you're about to get it, I'm about to take it

pop music
male vocal
female vocal
duet
banjo
electric guitar
electronic drums
slightly melodic
emotional

Now the white flags gonna wave there's nothing left to save blame your bout to get it I'm bout to take it


The low quality recording features a cover of a pop song. It is sung by passionate female vocalists over pop instrumental playing in the background. It is noisy and it sounds roomy as it is probably recorded with a phone or a camera microphone, but it is also emotional, passionate and addictive.

Impossible, impossible, impossible, impossible.

low quality
cover
passionate female vocal
background pop instrumental
noisy
roomy
emotional
passionate
addictive


This folk song features a male voice singing the main melody in a southern accent. The voice falls in the bass category. This is accompanied by an acoustic guitar strumming chords. The recording is of low quality and there is a lot of white noise drowning the other sounds. A basic percussion instrument is played. The voice is emotional. This song can be played in a retro style movie where a family goes to meet their grandparents out in the countryside.

must the cannonballs fly before they are forever banned? The answer might be

folk song
male voice
low quality audio
acoustic guitar
basic percussion
moderate tempo

Must the cannonballs fly before the artful riverbend? The answer must be


The Low Quality Hip Hop song features a dry, flat male vocal rapping over punchy kick layered with shimmering open hats, punchy kick, simple hi hats, claps, syncopated snare hits, wide arpeggiated synth melody and stuttering synth chords. It sounds energetic and kind of unnatural, since the vocal is so detached from the instrumental due to the bad mixing of the song.

Climb up to get past the palisades I'm knocking on the door but the room seems hollow I let the truth shine right through like Apollo The future is ours from Venus to Mars

low quality
dry flat male vocal
punchy kick
shimmering open hat
simple hi hats
soft crash cymbal
stuttering synth chords
wide arpeggiated synth melody
clapping
hip hop
unnatural mix
energetic

808 bass
distorted lead synth
crisp snare
processed vocal sample

I climb up to get past the palisades I'm knocking on the door but the room seems hollow I let the truth shine right through like Apollo The future is ours from Venus to Mars


An acoustic drum is playing a groove with crash hits and a double-bass drum along with the e-bass and an e-guitar playing bass notes along with the complex kickdrum. A oriental sounding string and brass-section is playing a melody. The male voice sounds very aggressive, screaming with full force. This song may be playing at a live concert.

I'll be trying to cut the sink out of broth Just don't close your eyes!

hardrock/metal
oriental string melody
male voice streaming
acoustic drums
e-guitar
e-bass
highly aggressive and loud

screaming vocals
heavy distortion
fast tempo

I'll be turned into a thirsting catapult! Just don't close your eyes!


This is the live performance of an orchestral rock piece. There is a male vocalist singing melodically in the lead. The piano is gently playing the main tune of the song. The tempo of the piece is slow. There is a profound, melancholic atmosphere. This piece could be used in the soundtrack of a drama movie/TV series. It could also be playing in the background at a rock/metal bar.

Lifting scenes while I was sleeping In the vision that was playing

live performance
orchestral rock
male vocal
melodic singing
piano
sentimental
melancholic
profound
slow tempo

string arrangement
acoustic guitar
harmonious choir

Lifted seas all I was sleeping in the vision that was blinding


A cappella choir is singing a melody with a deep male bass voice. Midrange female and male singers and high female voices. Then two female voices start singing two different arpeggio-melodies. The voices are spread across the left and right speaker. You can hear the sound of water. This song may be playing in a live presentation.

acapella
male and female singers
environmental noises
adventurous

Never shall we die

Never shall we die

Never shall we die.

Never shall we die.


An acoustic guitar is playing single notes of a minor chord progression alongside an acoustic piano playing a melody on itself. Then a string-section comes in for a moment elevating the emotional piece giving it a beauty and soft sadness. The instruments are slightly panned to the left and right side of the speakers. The female voice is softly singing with a little bit of reverb on her voice. This song may be playing at a theater-performance.

Far and away, see the bird as it flies by Gliding through the shadows

ballad/pop
acoustic piano
acoustic guitar
string section
female voice singing
slow tempo
soft sounding

male voice singing
drums
electric guitar

Far and away, see the bird as it flies by, Gliding through the shadows


A male vocalist sings this vigorous Rock song. The tempo is fast with enthusiastic electric guitar lead and harmonies, electric bass guitar and hard hitting drumming with cymbal rides. The song is passionate, youthful, enthusiastic, intense, compelling, boisterous and vigorous. This song is a Hard Rock/Heavy Metal song.

I hope this is, hope this is what our lives are all about We won't lose

male vocalist
energetic drumming
loud electric guitar feedback
electric guitar lead and harmony
enthusiastic vocal backup
youthful
enthusiastic
energetic
vibrant
boisterous
voracious
intense
passionate
metal
hard rock
rock music
heavy metal
electric bass guitar

headbanging
screaming
power chords
shredding solos
aggressive lyrics

I hope this is hope this is worthwhile we won't lose


A male vocalist sings this mellow country song. The tempo is medium with fiddle, cello and viola harmony with acoustic guitar rhythm.The song is mellow, soft, dulcet,emotional , melancholic and nostalgic . This song is Country Pop.

Now, these are cowboy kid found the six-shooter gun in his dad's closet in the box of fun.

male singer
medium tempo
violin
country music
sentimental
melancholic
string orchestra
string harmony
country folk song
country hits
country pop
regional pop
fiddle
cello
viola
acoustic guitar
dulcet
mellifluous
mellow
emotional
romantic
dreamy
sentimental nostalgic
story telling
performance

Now V's a cowboy kid, found a six shooter gun, in his dad's closet hidden in a box of fun.


The song has a laid-back, unfussy feel to it. There are various instruments layered to form a smooth, groovy, yet mellow song. The song would be categorized as pop rock, owing to the electric guitar lick and prominent electric guitar chord plucking. There's also an organ and an electric piano. The singer sounds soulful but relaxed.

electric guitar lick
pop rock
electric guitar chord plucking
mellow
laid-back jazzy rock
simple jazzy rock drumming
organ chords
smooth

free I don't even recognize myself

free I don't even recognize myself

free I don't even recognize myself

free I don't even recognize myself


The low quality recording features a cover of a pop song and it consists of passionate male vocals, alongside harmonizing background vocals, singing over wide, arpeggiated electric guitar melody and simple bass guitar. The recording is a bit noisy, but it is barely audible, especially when you take into account that it sounds very emotional.

Is the holy grail I've got to find Only you can set my heart on fire

cover
pop
passionate male vocal
wide arpeggiated electric guitar melody
simple bass guitar
harmonizing background vocals
emotional
noisy
low quality

intense drums
synthesized strings
explosive chorus

is a holy grail I've got to find only you can set my heart on fire


A male artist talks and makes drilling noises. The song is a modern hip hop song with male rap vocals, hip hop drumming rhythm, heavy bass drops and keyboard harmony. The track has ambient room noises and the music track is very faint. The audio quality is very average.

carrying over like this or whatever you'll be able to look right across i will do this

vocal male monologue
drilling noises
youtube tutorial
medium tempo
documentary soundtrack
modern
cool
positive
groovy bass line
ambient room notes
male rap singer
memdium tempo
groovy bas slime
hip hop drumming rhythm
syncopated rhythm
groovy rhythm
soft music background track
documentary soundtrack
poor audio quality
strong bass drops
keyboard percussive tones

carrying over like this or whatever you'll be able to look right across.


The low quality recording features a trap song that consists of flat male vocals, alongside wide harmonizing male vocals, singing over punchy 808 bass and repetitive synth lead melody in the background. There is a high pitched riser at the end of the loop. It sounds groovy and addictive thanks to that cadence.

When we pull up, they know us Ballin' all the time, man, I do this every day Where you get that dance from, I got that shit

low quality
trap
wide harmonizing male vocals
flat male vocal
punchy 808 bass
repetitive synth lead melody
groovy
addictive
high pitched riser

When we pull up, they know us Ballin' all the time and I do this every day Where you get that dance from, I got that shit


The track is a Kids Music song. A female voice with appealing vocals sings an easygoing melody. A piano with a bright sound plays a jazzy melody. A jazz drum kit plays a smooth beat. In the background there are trumpets playing a melody that matches the positive and fun atmosphere of the track.

platforms they may not rhyme but they're quite possibly the dumbest ways to die

kids music
positive
fun
bright piano
subtle trumpets
appealing female vocals
easygoing
mid-tempo
jazzy drums

in the platforms. They may not rhyme, but they're quite possibly the dumbest ways to die.


The music features a female voice singing while being backed by another female voice. The instrumental consists of only one acoustic guitar that strums chords. At one point the crowd is screaming/cheering. The sound of the recording plus the cheering crowd makes me think that this was recorded at a live event.

You waited that special place And if I stay too long You'll probably break down and cry

female voice
female backing vocal
acoustic guitar
crowd screaming
live music

You waited that special place If I stayed too long you'd probably break down and cry


The low quality recording features a rock song that consists of reverberant male vocal singing over groovy bass, short electric guitar chords, punchy snare, soft kick hits, shimmering hi hats and soft crash cymbals. The reverb of the vocal is located in the right channel of the stereo image, which makes it sound interesting. It is easygoing and groovy.

That lives in Spain They fight for my attention But I can't see through them

low quality
noisy
rock
reverberant male vocal
groovy bass
shimmering hi hats
soft crash cymbal
punchy snare
soft kick hits
short electric guitar chords
easygoing
groovy

that lives in Spain. They fight for my attention, but I can't see through their


A blues rock song is being played. Containing drums that are playing a simple groove along with a blues bassline that is supported by an e-guitar playing the same melody. So does a piano just in a higher pitch adding harmony. The female voices are singing together. Then an e-guitar starts playing a little solo-melody. There are some airy background noises that seem not to belong to the recording. This song may be playing at a local car workshop.

Sing at the moon and drive through the night.

country/blues/rock
female voices singing
e-guitar
acoustic drums
piano
b ackground noises
e-bass
medium tempo


The clip has a relaxing, chill, mellow vibe. It is a live recording outdoors, and features various sounds of skateboarders doing tricks. The song itself is a hip hop song that's relaxing and chill. There's an electric guitar riff, and a high pitched soulful vocal refrain.

I got a dollar in my box in the black and it's funny I am lasted all my energy yet But when I do these fake rappers will be talking to set the one in those

live recording
skateboarding sounds
hip hop
mellow
chill
soulful vocal refrain
electric guitar riff

I got a dollar in my pocket. And it's funny. I am lasted all my energy yet. But when I do this fake rappers will be talking to say you want to know


The low quality recording features a soul song that consists of a passionate male vocal, alongside wide harmonizing female vocals, singing over smooth piano melody, wide sustained strings and subtle, arpeggiated electric guitar melody. It sounds heartfelt, emotional and uplifting - like something you would hear in church.

low quality
soul
passionate male vocal
wide harmonizing female vocals
smooth piano melody
wide sustained strings
arpeggiated electric guitar melody
heartfelt
emotional
uplifting

intimate acoustic guitar
powerful drumming
meaningful lyrics

We worship you, heavenly Father.

We worship you, heavenly Father.

We worship you, Heavenly Father.

We worship you, Heavenly Father.


A male vocalist sings this intense Rap. The tempo is slow with boomy bass drumming and atmospheric synthesiser. The music is minimalist with emphatic vocals. The song is a passionate, youthful,insightful,persuasive and intense Synth Rap.

Looking for action on the road These streets unload my beef Make it hard to break

male singer
slow tempo
rap
hip-hop
synth rap
rhythmic patter
rhythmic speechlow notes
rapper
electroni music
atmospheric synthesiser
boomy bass
psychedelic synthesiser
minimalist music
intense
serious
grim
emotional
passionate

Looking for action on the road these streets unload my beef make it hard to breathe


This song contains a male voice singing together with kids singing and giggling. A piano is playing a melody along with other keyboard sounds. This song may be playing in a kids tv-show.

Chicks, and then Mr. Bull. To do the gaggling, giggling wiggle. Come on, here's your chance.

kidssong
keyboard sounds
e-piano
kids voices singing
e-bass
male voice singing
giggling
amateur recording
uptempo

Chicks, and even Mr. Bull To do the gaggling, giggling, wiggle Come on, here's your chance


The Soul song features a passionate male vocal singing over a shimmering crash cymbal, sustained strings melody and mellow arpeggiated piano melody. At the very beginning there are some sizzling bells. It sounds romantic and heartfelt - like something you would want to sing to your partner.

With you, all dreams come true All dreams of me in love with you

soul
passionate male vocal
shimmering crash cymbal
sustained strings melody
mellow arpeggiated piano melody
romantic
heartfelt
sizzling bells

All dreams come true all dreams of me in love with you


The Funk song features a passionate female vocalist talking and singing over funky wide electric guitars and some guitar licks in the right channel, followed by smooth synth keys, punchy snare hits, soft kick hits, bouncy hi hats, soft crash cymbals and funky bass guitar. What makes this song low quality is the stereo imbalance - regardless, it sounds funky.

If it's Cheryl Lynn, it's gonna be right. Come on, let me tell you about it. Just believe.

funk
funky bass
passionate female vocal
funky wide electric guitar
guitar licks
smooth synth keys
punchy snare
bouncy hi hats
soft crash cymbal
soft kick hits
low quality
funky
stereo imbalance

It's gonna be right. Come on, let me tell you about it. Just believe.


The music features for the most part an instrumental that makes use of synth sounds and a drum beat using sampled drums and claps. Towards the end of the music excerpt a female voice starts singing a simple melody and another female voice can be heard singing brief interventions in the background. The music is highly accentuated.

You always say that me, who must grow up

synth sounds
drum beat
female voices
sampled claps
accents

You always say that me, you must grow up


A female vocalist sings this lively Children’s Song. The tempo is fast with a cheerful acoustic guitar and ukulele accompaniment along with clapping. The song is lively, upbeat, engaging, energetic, simple and enthusiastic. The song is a children’s nursery rhyme with the catchy , simple tune and lyrics meant to make learning fun. It is engaging, interactive, instructional, educational teaching coordination.

If you're happy and you know it, clap your hands. If you're happy and you know it, clap your hands. If you're happy and you know it and you really want to show it.

female vocalist
fast tempo
cheerful acoustic guitar
simple lyrics
simple tune
interactive
learning is fun
energetic coordination
clapping
lively mandolin
minimal instrumentation
children’s songs
nursery rhymes
popular kids songs
education songs
kindergarten songs
happy
chirpy
engaging
interactive
active learning

catchy melody
repetition of lyrics
bright chord progression

happy and you know it clap your hands if you're happy and you know it clap your hands if you're happy and you know it and you really want to show it if you're happy


A female singer sings this beautiful melody with vocal harmony. The song is medium tempo with a piano accompaniment, steady drumming rhythm, strong bass drum kicks and a steady bass line. The song is melancholic and emotional. The song is a modern Christmas carol.

And tie around their throats To keep their little heads From falling in the snow And I turn round and there you go

female singer
backup singers
strong bass line
strong bass drum kicks
vocal harmony
piano accompaniment
medium tempo
steady drumming rhythm
string bass drum kicks
string bass line
melancholic
choral music
christmas carols
winter wonderland
emotional
nostalgic
christmas time
december
snowfall
presents

And tie around their hooves To keep their little heads From falling in the snow And I turn around and there you go


This is a cumbia piece. There is a female vocal singing seductively joined by male back vocals singing in the chorus. The trumpet is playing the main melody joined by the piano and the bass guitar in the background. Latin percussion playing a cumbia beat provides the rhythmic background. The atmosphere of the piece is very playful. The ideal setting for this piece can be a latin dance course.

I want you into my house. I'm going to be most afraid soon. And let's get it clean

cumbia
latin
latin dance
female vocal
seductive singing
male vocals
choir
latin percussion
trumpets
piano
bass guitar
playful
dance

I went to my house I'm going to be my affection and I did it

I want you into my house I'm going to be most afraid soon And let's get it clean


The low quality recording features a rock song that consists of wide electric guitar chords, punchy kick and snare, electric guitar slide, distorted bass guitar, aggressive drums cymbals and flat male vocals singing over it. It sounds energetic, but also harsh and messy thanks to those cymbals.

rock
energetic
low quality
wide electric guitar chords
aggressive drum cymbals
punchy kick
punchy snare
electric guitar slide
distorted bass guitar
flat male vocal
harsh
messy

For another to fit inside When we team up the results never vary We always set it on fire


A female vocalist sings this sweet melody. The tempo is medium with a ukulele accompaniment. The song is dulcet, melodic,pleasant , euphonious, simple and sweet however the male vocal backup seems completely unrelated and dissonant. It changes the vibe of this song from sweet to creepy and eerie.

Where in the world have you been hiding?

female vocalist
ukele accompaniment
euphonious
harmonious
high notes
unrelated backup
soprano
dissonant male backup
melodious
dulcet
soothing
unrelated backup
spooky
minimalist


This song is a ballad which features a male voice singing the main melody. This is accompanied by a plucked guitar playing arpeggiated chords. There are no other instruments. There is no percussion. The mood of this song is romantic. This song can be played in a romantic movie.

For the one who took our breath And love can tie us in a knot

ballad
plucked guitar
slow song
romantic song
male voice
slow tempo
minimal instruments
no percussion

for the one who took our breath. And love can tie us in a knot.


A male singer sings this humming vocal. The song is medium tempo with a strong drumming rhythm, groovy bass slime, keyboard accompaniment, piano accompaniment and tambourine accompaniment . The song is emotional and romantic. The song is a modern pop love song with poor audio quality.

male singer
humming vocals
thumping bass line
keyboard accompaniment
guitar playing lead
lyrical singing
modern pop hits
romantic
emotional
youthful
young love
piano accompaniment
poor audio quality
hissing sounds
tambourine accompaniment
medium tempo
strong drumming rhythm

romantic lyrics
upbeat tambourine
catchy chorus
sentimental melody

um

um

um

um


This is a vocal performance recording of a pop music piece. It is an amateur recording. The female vocalist is singing in a rising-and-falling manner in medium-to-high pitch. The backing track consists of a simple piano tune, a groovy bass line provided by a bass guitar and a 4/4 signature slow tempo drum beat with clicks on every fourth beat. The atmosphere is sentimental and heart-touching.

You will learn to begin to trust the voice within

vocal performance
pop music
female vocal
medium-to-high pitch
piano
bass guitar
drums
clicks
slow tempo
dramatic
sentimental

strings
ethereal sound effects
choir vocals


The Afrobeats song features a flat male vocal, supported by male ad libs in the right channel of the stereo image, rapping over punchy kicks, muffled claps, syncopated snare hits and pulsating synth pad chords. At the very end of the loop there is a short snippet of groovy synth bass, as the section changes. It sounds lower in quality mainly because of the bad sound selection, as the instruments are too thin and too digital.

Tassix out of this, the clips them full never empty. We no bed paper things some boyfriend know this from me smile me little and aster. Yo! Hey! The thing rise and beat.

afrobeats
flat male vocal
male ad libs
muffled claps
punchy kick
pulsating synth pad chords
low quality
uplifting
synth bass
syncopated snare

upbeat tempo
catchy chorus
bright melody

Yo!

Yo!

Yo!

Yo!


The low quality recording features a live performance of an Alternative/Indie song and it consists flat male vocal singing over electric guitar chord progression, thin, but groovy bass guitar, punchy kick and snare hits, soft rimshots, soft crash cymbal, shimmering hi hats and a drum break. It sounds energetic, groovy and addictive, due to the cadence.

And you can't even hear them say they got some more and more is the rest. Now they send me a kiss of coke and they say they want a lemon marijuana and

low quality
live performance
alternative/indie
flat male vocal
audio distortion
electric guitar chord progression
punchy kick
shimmering hi hats
punchy snare
soft rimshots
groovy thin bass guitar
soft crash cymbal
drum break
addictive
groovy
energetic

upbeat tempo
jangly rhythm guitar
catchy chorus

And you can't even hear them say they got to war and the poor is the rest now they send me a good secure and they say they wanna I'm a marijuana and


The low quality recording features a cover of a kids song that consists of sweet girl vocal singing over breathy flute melody, groovy bass and acoustic rhythm guitar. It sounds mellow, happy and fun.

Gotta take deep breaths when you exhale, one, two, three And then you'll hear yodel if you listen close to me

sweet girl vocal
cover
kids song
breathy flute melody
groovy bass
acoustic rhythm guitar
happy
fun
mellow
low quality

Gotta take deep breaths when you exhale, 1, 2, 3. And then you'll hear your other feelers sit close to me.


The low quality recording features a, what it seems like, cover of a country song and it consists of flat male vocals singing over acoustic sitar guitar melody. It sounds very noisy, but also heartfelt and emotional.

We'll both be so alone Like a bat in the hell I'll be gone in the morning

low quality
acoustic sitar guitar melody
flat male vocal
noisy
heartfelt
country
emotional

We'll both be so alone. Like a planet of hell, I'll be gone in the morning.


The low quality recording features a reverberant, intimate female vocal singing over soft, arpeggiated piano melody. It sounds haunting, hypnotic, heartfelt and muddy, as the frequencies are clashing and creating a mess in the mix. It sounds like a lullaby.

Drift on a river that flows through my mind

low quality
reverberant intimate female vocal
soft arpeggiated piano melody
haunting
muddy
hypnotic
heartfelt

Drift on a river that flows through my heart


Someone is playing a minor chord composition on an acoustic piano while a female voice is singing with a lot of reverb on her voice. This song may be playing on a karaoke night.

Never think twice, it's you I've been waiting to call

pop-ballad
acoustic piano
female voice singing
romantic
slower tempo

Never think twice It's you I've been waiting to call


This is a neo-soul music piece. There is a male vocal singing melodically with another male back vocal singing in a more erotic fashion. The tune is played with a keyboard and a synth. There is a mellow bass line in the background. An acoustic-sounding electronic drum kit provides the rhythmic background. The piece has a seductive atmosphere to it. It could be played at a nightclub during earlier hours. It could also work well as the jingle of a fashion/fragrance advertisement.

Good night, yeah. I love you. Kiss you. Baby, we are.

r&b
neo-soul
male vocals
melodic singing
keyboard
synth
mellow bass
electronic drums
harmonica
dance
seductive
intimate

Good night, yeah I love you, kiss you, baby we are


This is a country music piece. There is a female vocalist singing melodically in the lead. The electric guitar is playing a simple tune with occasional fiddle tunes adding texture. The bass guitar is playing a simple bass line. There is a basic rock acoustic drum beat in the rhythmic background. It has a normal tempo. The atmosphere is easygoing. This piece could be used in the soundtrack of a teenage drama movie/TV series. It could also be used as an advertisement jingle.

Brings out the girl in me I don't know just how you did it But you got me real good

country
female vocal
melodic singing
electric guitar
fiddle
bass guitar
acoustic drums
simple tune
normal tempo
easygoing

I don't know just how you did it, but you got me real good


A female vocalist sings this soft melody. The song is slow tempo with a mellow electric guitar harmony, soft keyboard accompaniment , a soft lilting flute melody and subtle bass line. There is no use of percussion. The song is soft, mellow, emotional, nostalgic and sentimental . This song is Soft pop.

Long ago I played in the forest of God, swept away by devotion and love.

female singer
slow tempo
mellow electric guitar
soft lilting flute
keyboard accompaniment
subtle bass lines
vocal emphasis
minimal music
soft pop
mellow
soothing
emotional
sentimental
nostalgic
melancholic

piano melodies
string arrangements
ethereal background vocals


The song has a tranquil and mellow vibe to it. It's a Christian worship song, with a singer that has a raspy tone to his voice and a calm approach to performing. The main instrumental factors are the acoustic guitar layers which are strummed, as well as piano chords and simple folk style drumming.

You've lifted my shame, drawn me with loving kindness.

christian worship music
acoustic guitar strumming
raspy male vocalist
soothing song
calm song
simple drumming
piano chord playing

lyrics about faith
choir vocals
harmonica playing

You lifted my shame, drawn me with loving kindness.


The low quality recording features a mixed harmonized vocals singing over quiet instrumental playing in the background. It is noisy and in mono, as it sounds heartfelt and emotional. It seems like it is a recording of a karaoke session, considering the volume balance between the vocals and instrumental.

low quality
mixed harmonized vocals
quiet instrumental
noisy
mono
heartfelt
emotional
karaoke

I'm saving all my love for you.

I'm saving all my love for you.

I'm saving all my love for you

I'm saving all my love for you


This is a progressive rock music piece. There is a male vocalist singing melodically. The piano is playing the main melody while there is an airy keyboard backing. The atmosphere is gentle and sentimental. This piece could be used in the ending credits of a teenage drama movie.

To leave without my music Will be impossible

progressive rock
male vocal
melodic singing
keyboard
piano
gentle
mellow
sentimental

electric guitar
synthesizer
complex melodies

To live without my music would be impossible


A male vocalist sings this popular Christmas carol . The tempo is medium with soft acoustic guitar and steady drumming. The emphasis is on vocals and the highlight of this song is the cheerful and perfectly synced and harmonised vocalisation. It adds layers and textures and gives this age old song a makeover. It is light, happy, peppy, joyful, playful and cheerful.

new year we wish you a merry christmas we wish you a merry christmas we wish you a merry christmas and a happy

male vocalist
acoustic guitar
vocalisation
vocal backup
choral harmony
cheerful
fresh
happy
vivacious
joyful
playful
timeless
harmonizing
christmas carols
christmas songs
christmas cheer
acoustic guitar
steady drumming
minimalist music
christmas greeting


The Soft Rock song features harmonizing male vocals singing over sustained organ keys chords, shimmering cymbals, groovy piano chords in the left channel, acoustic rhythm guitar in the right channel of the stereo image and groovy bass guitar. It sounds passionate and hopeful, like something you would sing along at concerts.

Oh, yeah, yeah, yeah. I see my light come shining.

soft rock
harmonizing male vocals
sustained organ keys chords
shimmering cymbals
groovy piano chords
acoustic rhythm guitar
groovy bass
passionate
hopeful

uplifting lyrics
catchy guitar riffs
melodic hooks


A typical drum&bass drummer is playing at fast speed with a very liquid digital bass while a male voice is rapping super fast along to the instrumental. This song may be playing in a competition.

And left out, look to the future, not to the past now, two-strand game on the chart now Ladies get down down, live with the money, like I with the money to the end here That's why my mouth let it touch here, got nice but I don't want to sign on the door

drum&bass
fast paced drums
digital bass
male voice rapping fast
fast tempo

electronic synths
futuristic sound effects
energetic guitar riffs

And after look at the future not to the boss not to stand him in a chat loud ladies get down down Live in the money that I would have only today and see that so my friend a poshie. I don't wanna sign on the door


There is a meditative chant sung at a medium pitch by a female voice. In the background, an acoustic guitar plays a mellow tune while an ambient synth can be heard holding the bass notes of the chant. It has a peaceful atmosphere which makes it a perfect match for meditation sessions.

chant
acoustic
acoustic guitar
ambient synth
female voice
melodic
mellow
calming
relaxing
meditation

soothing
ethereal
harmony vocals
piano
string section

Aura Anga

Aura Anga

Oh Ram Anga

Oh Ram Anga


This song sounds sensual, slightly erotic. The female voice is singing in the mid range and with delay and reverb on her voice. The bass is playing long notes with little changes. The drums are playing a rather complex groove. An e-guitar is playing single notes contributing to the rhythm while another guitar is playing an almost looped melody on top. This guitar has some effect on it and it sounds sensual and provocative. Synthesizer hits and keys are adding more little elements that are panned to the left and right side of the speakers. This is a very rhythmic song with its harmonic elements. This song may be playing at a nightclub for adults.

Sight slit eyes, making sure you kept victim.

soul
e-guitar
keys
synthesizer
e-bass
female voice singing
acoustic drums
sensual
erotic
medium tempo

brother. Side slit eyes, making sure you're kept thick


This song contains acoustic drums playing a steady groove with an uplifting bassline that repeats itself. An e-guitar is playing a single note melody while strings and an organ are elevating the energy with long higher register chords. Some backing vocals are singing along to the strings while the male voice is singing his melody. This song may be playing on a sunny day at the park having a picnic.

in the sunshine on a california day yeah baby

rock&roll
acoustic drum
e-bass
organ
e-guitar
male voice singing
uptempo
positive vibes

in the sunshine on a California day, yeah baby.


This seasonal song features a flat male vocal, supported by wide harmonizing male vocals, singing over punchy kick, soft snare, groovy bass, shimmering shaker bells, muffled bells melody, staccato strings melody, brass section progression and simple piano chord progression. It sounds fun and happy, leaving the listener with the feelings of euphoria, nostalgia and excitement.

Christmas time, tears away, time to play, people going all around. Somewhere we discovered

seasonal
wide harmonizing male vocals
flat male lead vocal
soft snare
groovy bass
punchy kick
simple piano chord progression
muffled bells melody
brass section progression
staccato strings melody
fun
happy
nostalgic
euphoric
excited
shimmering shaker bells

Christmas time, tears away, time to play, people going all around. Somewhere we just


The low quality recording features a cover of a song and it consists of passionate male vocals that together with the actual song's vocal, sounds harmonizing. There are simple acoustic guitar chords too. The recording is very noisy as it was probably recorded with a phone, but regardless it sounds emotional.

low quality
cover
harmonizing male vocals
simple acoustic guitar chords
emotional
noisy
phone recording
passionate male vocal

raw and unpolished sound
lyrics of heartbreak and regret
intense and soulful delivery

Daylight come and me one go home.

Daylight come and me one go home.

Daylight come and me one go home

Daylight come and me one go home


A male vocalist sings this spirited rap. The tempo is fast with an animated piano accompaniment, groovy bass lines, intense drumming, cymbal rides and vocal backup. The song is youthful, vibrant, vivacious, animated, compelling ,enthusiastic and passionate . This song is contemporary Hip-Hop/Rap.

Rap, I pop that Watch the henchmen try and see a rat Bet on a rat You got a nice gimmick Go on, you been hot a few summers But I got the kind of flow that can stop world hunger SK, I got nothing

male singer
fast tempo
rap
rapper
dance groove
club music
party music
funk
dance pop
dance rap
disco rap
hip-hop
hip-hop hits
energetic
enthusiastic
rhythmic patter
passionate emotional
animated piano harmony
vigorous drumming
cymbals
digital drumming
punchy bass lines
vocal backup
street vernacular
punk rap
funk rap
dance groove
youthful
compelling
persuasive

upbeat
catchy melody
pop culture references

I'm a rapper pop that watch the henchman trial see a red red on a red you got a nice gimmick going you've been hot a few summers but I got the kind of flow that can stop world hunger yeah SK I got nothing


A male singer sings this cool retro melody with duck quacking sounds. The song is medium tempo with a steady drumming rhythm with various funny percussion hits, accordion accompaniment and a groovy bass line. The song is inspiring and nostalgic. The song has an average audio quality.

Here's what he taught me. When someone knocks you down, get right up again. Show some luck like Donald Duck.

male singer
stylish singing voice
groovy bass line
quacking vocals
medium tempo
cymbals crashing
percussion bells
various percussion hits
funny
cheerful
animated vocals
dance rhythm
accordion accompaniment
cartoon show music theme
inspiring
motivational
children’s education program
movie soundtrack
retro pop songs
children’s favourites
steady marching rhythm

upbeat piano
energetic drums
catchy melody
bright horns

Here's what he taught me, when someone knocks you down, get right up again, show some luck like Donald Duck.


This is an educational music piece. The male vocalist is singing in an instructive manner asking questions directed at kids. There is a quirky piano sound joined by an upright bass. The rhythmic background consists of an electronic drum beat joined by electronic percussive sounds. There is an eccentric atmosphere to this piece. It could be used in an educational atmosphere such as an introductory physics class.

your phone. A cookie's a solid and so is a stone. Can you think of any more solids?

educational
instructive
male vocal
piano
upright bass
electronic drums
electronic percussion
quirky
eccentric


The drums are just playing the hihat and the kick on the second beat which is typical for reggae. The  keys are playing one chord on the offbeat. A guitar is playing some repeating chords along while the bass is playing a simple rhythmic pattern to support the drums. The female voice is singing with some reverb on her voice. This song may be playing on a sunny day at home with open windows mixed with the noises of a lovely small town.

Look how long I've been waiting for you to come riding. And now that we are together.

reggae
acoustic drums
white noise
bass
keys
guitar
female voice singing
slower tempo
relaxing mood

Look how long I've been waiting for you to come right in and know that we are together.


The drums hold a solid R&B groove with little fill-ins here and there that are panned to the left and right side of the speakers. Along with the drums a e-bass is playing a round and full-sounding bassline in the background. One e-guitar is strumming chords panned to the right side of the speakers. While the other guitar is playing a lead melody ending the phrases of the keys playing chords in the mid range. The male singer sounds soulful and his voice is deep. This song may be playing at home on a romantic dinner with your partner.

90s/2000s
r&b/love-ballad
acoustic drums
keys
e-guitar
e-bass
male
deeper voice singer
intimate atmosphere
slow tempo

What a difference

What a difference

before. Dad, what a difference

before. Dad, what a difference


A male singer sings this pop melody with back up singers in choral harmony. The song is medium tempo with a superimposed Latin Cumbia rhythm, which creates a discombobulated rhythm structure. The song audio quality is very poor.

Wish your time. Here's why. Because I'm happy. Clap alone if you feel like a room without roof. Because I'm a heck.

cumbria rhythm
pop song
choppy music
latin rhythm
disconcerting music
cheerful
pop superhit
emotional
inspiring
groovy
passionate
male singer
backups singers
crooning
choral harmony
groovy bas slime
steady drumming rhythm
poor audio quality
remix
dj
cymbals crashing
groovy bass line
latin percussions
mismatched tempos
amateur music mix

catchy hook
soulful vocals
uplifting lyrics
danceable beat

Wish a time. He is what?

Wish a time. He is what?

Waste your time. Here's why.

Waste your time. Here's why.


This is a bluegrass gospel piece. The multitrack male vocalist is singing religious lyrics loudly. For the melodic background, a banjo and a violin is playing the tune while a bass guitar is providing the rhythmic background. The atmosphere is hopeful. This song could be used in Christian religious social media content.

Then we'll enjoy the beauty where all things are.

bluegrass
gospel
male vocal
violin
banjo
bass guitar
christian
religious
hopeful
optimistic


The Rock song features a flat male vocal singing over a wide electric guitar melody, shimmering hi hats, energetic crash cymbals, punchy snare and kick hits, groovy bass guitar and piano chord progression. At the end of the loop, there is a short tom roll, representing a transition to the next section. It sounds energetic - like something you would hear on a radio.

fight for all the liquids unstable with every sip you will know that you're alive

rock
flat male vocal
wide electric guitar melody
groovy piano melody
shimmering hi hats
energetic crash cymbals
punchy kick
groovy bass guitar
energetic
tom roll

Vipe for all the liquids unstable With every sip you will know that you're alive


An acoustic drum is playing a simple groove with a strong kick. The e-bass is playing on every hit of the kick together with an e-guitar  strumming a chord. A female voice is singing a slow paced melody. In the background you can hear some maschine sounds and piping sounds. This song may be playing in a James Bond movie-scene.

You know that it would be untrue You know that I would be a

funk/rock
acoustic drums
e-guitar
e-bass
female voice singing
slow to medium tempo
background noises

brass section
groovy bassline
synth pads

You know that it would be untrue. You know that I would be a


A group of female vocalists sing this enthusiastic swing song. The tempo is fast with bright trumpet harmony, cello , rhythmic acoustic guitar and slick drumming. The song is upbeat with vocal emphasis and a lively orchestra. This song is a Classic Swing.

Grey ghouls tripping in the bathroom Bloodstains, ballgowns, trash in the hotel room We don't care We're driving Cadillacs in our dreams But everybody's like this, stormy back down

female vocalists
fast tempo
choral harmony
mezzo-soprano
cello bass
lively trumpets
brass band
slick drumming
swing beat
swing
animated vocals
melodic
empahtic vocals
alto
soprano
classic
lively cello
acoustic guitar

Grey ghouls trippin' in the bathroom Bloodstains, ball gowns, trash in the hotel room We don't care We're driving Cadillacs in our dreams But everybody's like, Vistal, Maybach, Diamond


Pop EDM with a four on the floor kick pattern, a high male vocal with vocal harmonies, synthesizer melodies and dramatic risers for the transitions. This is a club track that sounds professionally recorded and mixed for high fidelity.

I'll be a reason to stay here. I'm losing myself in you, myself in you.

four on the floor kick
edm
pop
synth riser
high male vocal
professional production
high fidelity
synth melody
vocal harmonies
club track

danceable rhythm
catchy hooks
digital instrumentation

I'm losing myself in you.

I'm losing myself in you.


A male voice is singing along to a fast paced reggae instrumental. The drums are playing a reggae-groove along with a harmonica on the offbeat. Two e-guitars are playing a single note melody. Both are following the bassline adding harmonies. A saxophone is adding a little melody after every end of a phrase. The male voice is singing in the mid-range and sounds doubled. Some of the instruments are panned to the left and right side of the speakers. This song may be playing at a local bar.

reggae
saxophone
acoustic guitar
e-guitar
e-bass
acoustic drums
harmonica
male voice singing
positive energy
uptempo

He is the head joiner from Manchester.

He is the head joiner from Manchester.

He is the Hail Joyer from Manchester.

He is the Hail Joyer from Manchester.


A male vocalist sings this mellow jazz song. The tempo is medium with a spirited saxophone accompaniment, jazzy piano, groovy bass lines, slick drumming and trumpet . The song is melodic, catchy, ambient, romantic, groovy, light and breezy with a swing rhythm. This song is a lively Jazz song.

up and fly right. Slidin' up and stay right. Slidin' up and fly right.

male singer
medium tempo
jazz piano
trumpets
romantic
pleasant
saxophone accompaniment
wind instruments
brass instruments
slick drumming
groovy bass lines
animated piano
swing
jazz
blues
ambient
pleasant
syncopated harmony
improvisations

up and fly right. Slidin' up and stayin' right. Slidin' up and fly right.


A male vocalist sings this passionate Rap. The tempo is medium with steady drumming, keyboard harmony, amplified piano accompaniment, and  groovy bass lines . The song is emotional, intense, persuasive, intense and has a catchy groove. This song is contemporary Rap/Hip-Hop.

I made enemies with Jews I was seven years ahead of my time In 92 I said things that wasn't accepted till 99 It's 04 I don't care about the past no more

male vocalist
medium tempo
hip-hop
rap
rhythmic patter
rhythmic speech
slang
objectionable lyrics
passionate
emotional
intense
emphatic
persuasive
catchy
youthful
steady drumming
melody keyboard
amplified piano
groovy bass lines

I was seven years ahead of my time in 92 I said things that wasn't accepted till 99 and so for I don't care about the past no more


A male voice is singing along to a blues/rock bassline and acoustic drums. A e-guitar and a banjo are playing the same melody as the bass. All the instruments are playing when the male voice is not singing. Then after fading out a new song starts with a percussive sound, an upright bass, piano and a female voice singing.This song may be playing in a bar.

I stole a kiss at the turn of a mile My curiosity running wild

rock&roll/soul
e-guitar
e-bass
acoustic guitar
piano
banjo
two songs
male voice singing
female voice singing
upright bass
medium to uptempo

I stole a kiss at the turn of a mile, my curiosity running wild.


This song is a sweet duet. The tempo is medium with a melodious, intense piano accompaniment , electric guitar rhythm, steady drumming and synthesiser arrangements. This song is melodic, story telling, spirited, emotional, passionate and sweet. The lyrics are simple and so this song could be a Children’s Song.

But when you're lying down snug in your bed, Spend a thought

duet
male vocalist
female vocalist
children’s song
strong
electric guitar rhythm
steady drumming
digital drum beat
synthesiser arrangement
story telling
soft
melodious
melodic amplified piano

catchy chorus
harmonious vocals
upbeat tempo

But when you're lying down snug in your bed, spend a


A female voice is singing along to a karaoke track containing an acoustic drumset playing a simple groove, an e-guitar playing a melody on top and female backing voices. This song may be playing at a karaoke night.

I'm sure if I'll ever see him again, he reminded me of Luke Dana. Luke Ray, I say change me.

backing track
amateur recording
karaoke
female voice singing
acoustic drums
e-guitar
medium uptempo

If I'll ever see him again, he reminded me of Lou Denna, who brings a change within.


The low quality recording features a funk song that consists of passionate male vocal singing over shimmering open hats and shakers, funky and groovy keys melody, groovy bass, wooden percussive elements and "4 on the floor" kick pattern. It is noisy, but also funky and the stereo image is unbalanced, as the song is leaning towards the right channel.

I've been looking at you from way across the crowded floor, telling myself I'd be the one you adore. Take my hand.

low quality
funk
funky keys melody
shimmering shakers
shimmering open hat
passionate male vocal
wooden percussive elements
groovy bass
4 on the floor kick
noisy
unbalanced stereo


The low quality recording features a dubstep song that consists of manic laughing sound effects, man yelling sound effects, punchy snare and kick hits, shimmering hi hats, hard synth bass, aggressive synth lead melody and energetic crash cymbals. The mix of the song is not very good, thus the quality of the recording is lower - although it sounds energetic and exciting.

You know what my secret is? I'm always angry!

low quality
dubstep
punchy kick
punchy snare
shimmering hi hat
manic laughing sound effect
man yelling sound effect
hard synth bass
aggressive synth lead melody
energetic crash cymbal
energetic
exciting


Someone is playing acoustic guitar. While a higher pitched male voice is singing a sad song. This is an amateur recording. This song may be playing at home on a rainy day.

Hello darkness my old friend I've come to talk with you again

singer-songwriter
acoustic guitar
male voice
higher register singing
soft stomping noise
melancholy
amateur recording
medium tempo

fingerpicking guitar
lyrics about lost love
vulnerable vocal delivery
minimal instrumental accompaniment

Hello darkness my old friend, I've come to talk with you again.


An acoustic drum is playing a hiphop/funk groove along with a bassline. One e-guitar is strumming a funk chord while the other guitar is playing a melody sequence and then the other guitar responds with a chord. The male voice sings in the mid to high range and at the end of the song a keyboard is playing a chord with a string sound. This song may be playing at home cleaning the house.

to the best schools but you can't go because of the rules so you that you're

funk/soul
e-guitars
e-bass
acoustic drums
male singer
keyboard-strings
medium tempo

horn section
funky rhythm guitar
groove-heavy basslines

to the best schools, but you can't go because of the rules. So you, that you're


This is a lullaby being sung by a comedian. The male vocalist is singing melodically. The main melody is being played by a piano while strings in the background are holding the root notes of the piece. An occasional xylophone riff can be heard adding texture in the high range. This piece has a gentle but comedic atmosphere.

lullaby
male vocal
melodic singing
piano
strings
xylophone
mellow
gentle
calm
comedic

Baby, try not to squawk. Tomorrow and tomorrow you'll learn how to walk, to

Baby, try not to squawk Tomorrow and tomorrow you'll learn how to walk


The low quality recording features a live performance of a jazz song and it features a passionate female vocal singing over shimmering hi hats, groovy piano chords and smooth double bass. The recording has some audio crackles and that would be the only reason for it to go under the "low quality" category. It sounds emotional, passionate and groovy.

Turtle doves feelin' cool when they laugh That's the kind of magic music we make

low quality
jazz
passionate female vocal
groovy piano chords
smooth double bass
shimmering hi hats
audio crackles
live performance
emotional
passionate
groovy

live drums
soulful trumpet
bluesy guitar

turtle doves, bein' cool when they laugh, that's the kind of magic music we make when


A male vocalist sings this simple, peppy melody. The tempo is fast with keyboard harmony, enthusiastic drumming, steady bass line, acoustic guitar rhythm and electronic arrangements. The song is fun, animated, upbeat, catchy, energetic, spirited and vibrant and appealing to children . This song is a Synth Pop/Rock.

Well, I wake up in the morning each and every day. And I sit down at the table and I hear my daddy say.

male singer
fast tempo
energetic music
peppy
buoyant
electronic  rhythm
enthusiastic drumming
rhythmic acoustic guitar
steady bass line
fun
youthful
animated
spirted
vivacious
happy
children’s song
synth arrangements
synth pop
pop rock

catchy chorus
uplifting lyrics
rhythmic piano


A female vocalist sings this enigmatic electro pop. The tempo is medium with synthesiser arrangements and electronic music layers. The vocals are monotone, incessant and droning like the music and have a hypnotic, trance like vibe. The song is youthful, ambient, enigmatic and meditative.

Where did all my life take me away? A million miles away from here, take me away

female vocalist
medium tempo
electronic music
psychedelic
incessant
droning rhythm
synthesiser articulation
beeping
video game like electronic beep
minimalist
ambient
meditative
hypnotic
psychedelic
incessant
world music
enigmatic
charming
electronica
edm
synth pop

Take me away million miles away from here. Take me away


The low quality recording features a hip hop song being scratched by the DJ. The song features a filtered flat male vocal, punchy snare, bouncy kick, widely spread shimmering cymbals, groovy bass and arpeggiated electric guitar melody. It sounds bouncy and groovy, as the DJ is probably practicing his scratching skills.

At the moment how it should be done. At the moment how it should be done.

low quality
hip hop
dj scratching sound effects
punchy snare
groovy bass
flat filtered male vocal
arpeggiated electric guitar melody
bouncy kick
groovy
bouncy
wide shimmering cymbals

playing at the moment how it should be done playing at the moment how it should be done


The low quality recording features a rock song that consists of throaty male vocal singing over widely spread arpeggiated electric guitar melody, smooth bass guitar, punchy snare, shimmering hi hats and soft kick hits. It sounds thin, distorted and messy, since the frequencies are clashing.

low quality
rock
throaty male vocal
wide arpeggiated electric guitar melody
smooth bass
punchy snare
shimmering hi hats
soft kick hits
messy
thin
distorted

Life's short, despite our plans, still

Life's short, despite our plans, still

Life's short in spite of plans.

Life's short in spite of plans.


A synthbass is playing a soft line along with a piano playing a melody while a noise riser sound is slowly rising up creating tension. The female voice sings a melody on top of that. This song may be playing while running with headphones.

Don't you hate me? I turn my face against the wall I will move fast, I will move slow Take me away

pop/electro/dubstep
piano
synthbass
drums
female voice singing
riser sound
uptempo

Don't you hate me, I turn my face against the wind I will move fast, I will move slow, take me away


The Hip Hop song features a passionate female vocal singing and flat male vocal rapping over piano chords, punchy kick and snare hits, repetitive synth hits and sustained strings melody. At the end of the first section there is an echoing effect on vocals. It sounds energetic and addictive, even though the audio cuts out in the middle of the chorus, straight to the verse.

Me, myself, and I solo right until I die, cause I got me for life. And as far as I can see, I just need privacy.

hip hop
piano chords progression
repetitive synth hits
passionate female vocal
flat male vocal
punchy snare
punchy kick
cheering
audio cutout
echoing effect
sustained strings melody
energetic
addictive

catchy hooks
upbeat tempo
flowing lyrics

Me, myself, and I, solo ride until I die, cause I got me for life. And as far as I can see, I just need privacy. Plus, I


The low quality recording features a live performance of an alternative/indie song and it consists of flat female vocal singing over synth keys and arpeggiated electric guitar melody. There are also some crowd noises in the background. It sounds thin, but also emotional and like something you would want to sing along.

It's no good a blessing for us to feel this burden, never to find.

low quality
live performance
flat female vocal
synth keys melody
electric guitar arp melody
thin
emotional
alternative/indie
crowd noises

acoustic guitar strumming
melancholy lyrics

It's no good a blessing for us, feel this hurting, number five


The music features a male voice singing a descending melody that repeats. The instrumental consists of a drum kit that's playing a light rhythm, a double bass that's playing a repeating descending melody and an electric guitar that's strumming chords once per beat. The quality of the audio recording is not so good which leads me to believe this is an amateur recording and not something professional.

We ain't got no boat to ride. I'm back to work.

male voice
reverb effect
electric guitar
double bass
drums
low audio recording quality

soulful backup vocals
bluesy saxophone solos

We ain't got no dope in the ranch. I'm back, dope.


This pop song features a female voice singing the main melody. This is accompanied by percussion playing a simple beat. At the end of the first bar, the percussion pauses and a piano strikes one chord when the voice reaches her high pitch. The percussion resumes playing the simple beat. The bass follows the root notes of the chords. The piano plays chords in the background. A string section plays notes in the background filling the musicscape. This song has a romantic theme. This song can be played in a romantic movie.

pop song
female voice
romantic theme
simple percussion
piano
keyboard music
moderate tempo
strings sound

Hanging on by a thread But this is my time now You make me feel like I can hold on Every time I feel weak You keep me going strong even when I'm weak


The low quality recording features a live performance sung by harmonizing mixed vocals and followed by acoustic rhythm guitar and shimmering shaker. In the second part, a hollow male vocal continues to sing over shaker and acoustic guitar. It sounds thin, but fun, happy and emotional - it was probably recorded with a phone or camera microphone.

And I won't let you fall I won't let you fall

low quality
live performance
shimmering shakers
harmonizing mixed vocals
hollow male vocal
acoustic rhythm guitar
fun
happy
emotional
thin

I won't let you fall. I won't let you.

I won't let you fall. I won't let you.


This is an isolated vocal track of a rock opera piece. There are no instruments. A passionate male vocalist is singing melodically in the lead. There is a choir in the background providing medium-to-high pitched back vocals. There is an uplifting atmosphere. This piece could be used in remixes. Vocal samples can be lifted for DJ sets or beat-making.

On, on, on, on. We are the champions, my friends.

rock opera
vocal track
no instruments
male vocal
passionate singing
choir
dramatic
uplifting
vibrant

On, on, on, on We are the champions, my friends


An acoustic piano is playing a sad melody while two women are singing as a duo taking turns. Their voices have some reverb and in the background you can hear the crowd cheering. This song may be playing live on stage.

pop-ballad
acoustic piano
female singers
crowd cheering
amateur recording
slow tempo
sad

heartbroken lyrics
guitar accompaniment
live performance
emotional vocals

Every now and then I get a little bit tired of listening to the sound of my tears.


This is a pop music piece performed acoustically. The male and female vocals take turns singing melodically as a duet. The simple melody is being played by a ukulele. The aura of the song is very calm and easygoing. It could be used in the soundtrack of a teenage drama. The music could be playing in the background at a coffee house.

Cause I love you, Cause I love you, and I love you, and I love you

pop music
acoustic
male vocal
female vocal
duet
simple tune
ukulele
easygoing
calming
romantic

I love you. I love you. I love you.

I love you. I love you. I love you.


The low quality recording features a live performance of a country song played by ukulele orchestra, smooth double bass and sung by fruity male vocals. It is uptempo and it sounds energetic, even without drums, and passionate.

down the railroad track it's that orange blossom special bringing my baby back

low quality
live performance
fruity male vocal
country
ukulele orchestra chord progressions
smooth double bass
uptempo
energetic
passionate

Down the railroad track, it's that orange blossom special, bringing my baby back.


The low quality recording features a covered song with arpeggiated banjo melody and flat female vocal that is occasionally out of tune. The recording is noisy and in mono, as if it was recorded with a phone, but it is also emotional, regardless of the voice crack.

Hold it near As it were your own, it's a hand-me-down

low quality
arpeggiated banjo melody
noisy
mono
flat female vocal
emotional
voice crack

Hold it near, as if for your own it's a hand-me-down.


Professionally recorded music featuring an intimate female vocal, delicate piano, and orchestral string accompaniment. The tempo is slow, the production is high fidelity and the mood is an introspective one. Would be perfect in an animated kids movie.

punishment yours the harmony silent today but into the stillness

high fidelity production
professionally recorded
movie music
intimate female vocal
fairy tale
delicate piano
slow tempo
orchestral string accompaniment
introspective
animated kids movie

fantasy element
whimsical instrumentation


Someone is playing an e-bass along to a backing track that contains a male voice singing with backing vocals that are panned to the left and right side of the speakers. An acoustic drum set is holding a groove along. The bass is almost completely panned to the left side of the speakers.This song may be playing at a dance-competition. This is an amateur recording but of decent quality.

Another one bites the dust. And another one goes. And another one does. Another one bites the dust. Hey, we're going to get you.

progressive rock
e-bass
backing song
male singer
acoustic drums
uptempo

electric guitar
complex arrangements
long instrumental sections

Another one bites the dust, and another one gone, and another one done, another one bites the dust, hey, hey, I'm gonna get you tonight.


A male vocalist sings this enthusiastic Rock. The tempo is fast and upbeat with a vigorous electric guitar lead and harmony, hard hitting drums and amplified keyboard. The music is an energetic, boisterous, youthful, enthusiastic, engaging, pulsating and electrifying Hard Rock.

my children my better just won't call welcome with your life thinking about the past will never bring it back

male singer
fast tempo
rock
hard rock
sonic power
cymbals
youthful
pulsating
electrifying
enthusiastic
amplified instruments
vigorous drumming
intense electric guitar lead
keyboard harmony
upbeat
energetic
loud
boisterous
enthusiastic
metal
heavy metal
pop rock
dance groove

distorted guitar riffs
screaming vocals
headbanging rhythm
thunderous bassline
mosh pit
guitar solo
fist-pumping chorus

I choose a life and it just won't come. What comes with your life? Thinking about the past will never bring it back.


The low quality recording features a live performance of an indie song and it contains passionate female vocal singing over arpeggiated electric guitar melody and shimmering shakers. It is a bit noisy, there are some crowd noises and it sounds passionate, emotional and like an intro section of the song.

Music is coming out, yeah, dropping on the ground. Sounds like my heart beating fast and free now. It's always

low quality
crowd noises
noisy
indie
live performance
passionate female vocal
shimmering shakers
arpeggiated electric guitar melody
emotional
passionate
intro

Music is coming up, and it's dropping all around. It sounds like my heart beating fast and free now.


The low quality recording features a kids song that consists of chiptune vocal singing over acoustic rhythm guitar. The recording is noisy, in mono and it sounds fun and happy, like something kids listen to.

When the duck walked up to the lemonade stand And he said to the man running the stand Hey, got any grapes?

low quality
chiptune vocal
acoustic rhythm guitar
noisy
fun happy
kids song
mono

When the duck walked up to the lemonade stand And he said to the man running the stand Hey! Bum bum bum Got any grapes?


This ambient song features a female voice using a delay effect so that the words are repeated. This is accompanied by a cymbal played on every beat. No other percussion is played. The bass plays the root note of the chord. There are multiple synth layers in the background. One layer of synth plays a haunting sound which sounds like a string section in the background. Another layer of synth plays a high pitched ring modulated sound toward the end of the track. This song can be used in a gym or workout video.

How much you get? You waste your time and you ain't any bread.

ambient music
female voice
delay effect
moderate tempo
workout music
trance music
synth sounds
cymbals
bass sounds

pulsing rhythm
ethereal atmosphere
uplifting melody

How much you get, you waste your time, every breath, heart's not enough


This is a pop-rap/dance-rap piece. There is a male vocal rapping joined by the occasional samples of other rappers. The electronic drums and the electronic percussion are providing the rhythmic background. There is a strong 808-style syncopated bass. The atmosphere has a groovy feeling to it. This song could be used in nightclubs and sports venues.

They gon' be on you when they see you hit that ducky ride Ain't nobody fuckin' with my bro from Monty's side He go by Bubba and he hit that dance like thugger I ain't from Dallas but I dig it

pop-rap
dance-rap
male vocals
rapping
strong bass
electronic drums
electronic percussion
bravado
groovy

catchy chorus
upbeat tempo
Autotune vocals

They gonna be on you when they see you hit that ducky ride ain't nobody fucking with my bro from on the side He go by Bubba and he hit that death like thunder. Okay. I ain't from Dallas, but I did


This children's song features a male voice singing the main melody. Other voices sing vocables in harmony in the beginning and after the lyrics are sung. This is accompanied by percussion playing a fast beat. The bass plays the root notes of the chords. A synth plays an ascending lick with the vocables in the beginning. When the words are sung, the synth plays the same melody as the main voice. This is a moderate tempo song. The mood of this song is happy. This song can be sung in a children's action movie.

children's song
low quality audio
vocable
male voices
repetitive music
happy mood
percussion
bass
synth
moderate tempo

Let's be brave.

Let's be brave.

Let's be brave!

Let's be brave!


The low quality recording features a cover of a children's song and it consists of an emotional girl vocal singing over acoustic rhythm guitar located in the right channel of the stereo image, which makes the stereo image unbalanced. The recording is a bit noisy and It sounds fun, happy, emotional and innocent.

O, tea, a drink with jam and bread, that will bring us back to Doe, a deer, a female.

low quality
emotional girl vocal
acoustic rhythm guitar
cover
noisy
unbalanced stereo
fun
happy
emotional
children song
innocent

simple chord progression
upbeat tempo
whimsical lyrics

Oh, tea, a drink with jam and bread, that will bring us back to dough, a deer, a female,


A male vocalist sings this animated and upbeat pop song. The song starts with a slow tempo with male vocals and soft but emphatic piano accompaniment and cello drone, and a whirring sound like a camera rolling. Post this the song picks up to an upbeat tempo with hard hitting drumming, cymbal rides, upbeat synthesiser harmony and electronic instruments. The song is a ,vibrant, spirited, bouncy, punchy, vivacious, youthful Electronic Dance music/Synth Pop.

male vocalist
slow beginning
cello drone
digital drums
electronic music
electronic instrumentation
auto tune
fast tempo
edm
synth pop
buoyant
punchy
vibrant
animated
youthful
spirited
burgeoning music
whirring sound
camera roll sound
auto tuned voice
animated instrumentation
soft paino
vigorous drumming
oud cymbals
vocal backup
female vocal riff
song beginning
pop
pop rock
animate
buoyant
happy
lively
spirited

I found God.

I found God.

I found God.

I found God.


The Swing song features an echoing male vocal singing over smooth double bass, offbeat soft piano chords and widely spread sustained strings melody. It sounds easygoing, relaxing, smooth, warm and euphoric as it reminds of Christmas.

Say goodbye to your mama. Oh yeah, let's get high on some pop rock Pop rock

swing
smooth double bass
offbeat sot piano chords
wide sustained string melody
echoing male vocal
easygoing
relaxing
smooth
euphoric
warm

Say goodbye to your mama Oh yeah, let's get high on some pop rock Pop rock


This amateur recording features a male voice singing the main melody. This is accompanied by a banjo being strummed in a country rhythm. This song is sung at a moderate tempo. This song has a patriotic feel. There are no other instruments in this song apart from the tenor banjo. This song can be played in a patriotic American movie.

Well, I love you, Manfield. You know I love you, dear soul. Oh, I love you.

country song
banjo song
amateur recording
no percussion
male voice
moderate tempo
folk song
minimal instruments
patriotic song

Well, I love you, Manfred. You know I love you so. Oh, I love you.


The drums and the e-bass are creating a reggae groove together with the e-guitar that is playing on the offbeat and with a lot of ping pong delay that is jumping back and forth on both sides of the speakers. The male voice is singing and a shaker is playing panned to the right side of the speakers. This song may be playing at an alternative vegan restaurant with an outside terrace.

While my baby, she carries my baby for nine. Means I got a whole lot of this mother for life.

reggae
male voice singing
backing voice
e-guitar
delay
e-bass
acoustic drums and shaker
medium tempo

She carries my baby for nine Means I got a whole lot of this mother f*** for life


This is an electroclash piece. There is a male vocalist singing in the lead with hollering samples in the background. An electric guitar is playing the main theme repeatedly. The bass guitar is playing a groovy bass line. In the rhythmic background, there is an upbeat acoustic drum beat. The piece is groovy and danceable. It could be playing in the background at a sports bar or a rock bar. The music would also suit well with sports venues.

electroclash
male vocal
electric guitar
repeated theme
bass guitar
groovy
danceable
energetic
bravado
upbeat

synthesizer
drum machine
funky rhythm
catchy hook

I'm a man. I still am. Hey.

I'm a man. I still am. Hey.

I'm a man. I still am. Hey.

I'm a man. I still am. Hey.


The Acoustic song features an arpeggiated acoustic melody, wide synth pad chords, soft bass guitar, mellow synth keys melody, soft percussive drums loop and mellow female vocal singing on top. It sounds very relaxing and calming - almost like you can do yoga to it.

acoustic
arpeggiated acoustic guitar melody
wide synth pad chords
soft bass guitar
soft percussive drums loop
mellow female vocal
calming
relaxing
mellow synth keys

ethereal vocal harmonies
reverb-heavy electric guitar
subtle electronic beats

Guru Waheguru Guru Ramdas Guru

Guru Waheguru Guru Ramdas Guru

Guru, Waheguru Guru, Ramdas Guru

Guru, Waheguru Guru, Ramdas Guru


This is a comedy music piece. There is a male vocalist at the forefront singing half-heartedly with tongue-in-cheek mannerisms. There is a keyboard playing the main theme joined by an electric guitar. There is a bass guitar in the background. An acoustic drum beat provides the rhythm. There is a sarcastic atmosphere in the piece. This piece could be used in the background of funny videos.

comedy
male vocal
burping
off-key singing
keyboard
electric guitar
bass guitar
acoustic drums
tongue-in-cheek
ridiculous
sarcastic

Oh, what's happening to me?

Oh, what's happening to me?

Oh, what's happening to me?

Oh, what's happening to me?


A male singer sings this emotional melody with a female backup singer singing chanting tones. The song is slow tempo with a guitar strumming gently and no other instrumentation. The song is emotional and romantic. The song is beautiful and lilting.

male singer
eclectic music
slow tempo
no other instrumentation
dream sequence
relaxing
together forever
never let go
female chanting tones
guitar strums gently
erotic
love song
echo chamber
vocal echoes
romantic
passionate
making love
acoustic love song
sensual music

Have you a little light?

Have you a little light?

Have you a new life?

Have you a new life?


This is an amateur recording of a young girl singing over a pop music piece in the background. The piece has a female vocal singing melodically while the electric guitar and the bass guitar play in the background. The rhythmic background consists of a very basic 4/4 rock drum beat.

Hey good girl, now how to fold, you want a lot, wait, when holdin' hold, it's good girl.

karaoke
female child vocal
female vocal
pop music
electric guitar
bass guitar
drums

synth pop
danceable
upbeat tempo
catchy chorus

Hey good girl, not hard to fold, you won't walk away with a hold, you can hold this good girl.


This rocksteady song features a male voice singing the main melody. This is accompanied by percussion playing a simple beat. The bass is played on a double bass in a rock and roll style progression. A trumpet plays a fill at the end when the voice pauses. There are other instruments being played, but the quality of recording is low and the instruments are not heard clearly. The mood of the song is happy.

retro song
ska
low quality recording
rocksteady
male voice
moderate tempo
simple percussion
trumpet song
double bass

Are you mad to be in so ugly?

Are you mad to be in so ugly?

Are you man to be in some ugly?

Are you man to be in some ugly?


A digital drum is playing a groove with different little elements panned to the left and right side of the speakers. Little sprinkles of plucked digital synth sounds are playing melodies along with a keyboard playing soft chords. The female voice is singing being backed by a voice full of effects. Then padsounds come in serving as strings playing a slow chord progression. This song may be playing at the mall.

Letting go's so hard to do. But I'm tired of falling in and out of love

pop
digital drums
pad sounds
keys
female voice singing
backing voice
simple production
uptempo

Letting go so hard to do But I'm tired of falling in and out of love

Letting go's so hard to do But I'm tired of falling in and out of love


A female singer sings soft pop songs. The tempo is medium fast with electronically arranged music, electric guitar harmony, digital drum beats, and melodious vocal backup. The song is simple, soft, emotional, upbeat, catchy, with a dance groove. This song is an Electro Pop song.

A bleak display of affection. Feels like no one else in the room Waking the dull up this night

female singer
medium fast tempo
emotional
contemporary pop
upbeat
groovy rhythm
dance music
dance pop
club music
electro pop
synth pop
ambient
electronic music
synthesiser articulation
digital drumming
keyboard arrangement
electric guitar riff
vocal backup

catchy chorus
nostalgic lyrics
funky bassline

But with this plane of affection Feels like no one else in the room I can't get down like there's no

A bleak display of affection Feels like no one else in the room Waking the dull up this night


This is a pop music piece being played through a reverberation amp. There is a male and a female vocalist singing melodically. A clean sounding electric guitar is playing a simple tune while a keyboard is holding the chords and a bass guitar is playing in the background. The rhythmic background is provided by a medium tempo electronic drum beat that has characteristics resembling an acoustic drum kit. The atmosphere is sentimental and vibrant. This piece could be used in advertisement jingles. It could be playing in the background in a romantic setting.

pop music
male vocal
female vocal
melodic singing
keyboard
electric guitar
bass guitar
electronic drums
amp
reverb
simple tune
sentimental
vibrant
medium tempo

I run my life, always running

I run my life, always running

I run my life, always running

I run my life, always running


An acoustic drum is playing a groove with brushes while an e-bass is playing a walking bassline. Someone is strumming chords on an acoustic guitar while an e-guitar is playing rhythmic chords on the offbeat along with a slide guitar playing a melody. A mid-ranged male voice is singing a melody supported by male and female backing singers. This song may be playing in a coffee shop in the morning.

Then leaving and saying goodbye every time.

western/county
acoustic guitar
slide guitar
e-guitar
acoustic drums
e-bass
male and female singers
medium to uptempo


A male vocalist sings this perky pop song. His tempo is medium fast with punchy drumming; animated amplified piano accompaniment, tambourine beats and funky bass lines. The song is simple, peppy, engaging, energetic, story telling, and catchy. This song is Classic Pop/ Soft Rock.

Well, wisdom and chit-frizz and kisses is not the minimum life I know. And I've been calling the mystery missus. I respect the art of the show.

male singer
medium  fast tempo
amplified piano
tambourine beats
punchy drumming
boomy bass lines
buoyant
punchy
perky
energetic
youthfull
shakers
simple melody
catchy
rock
pop rock
soft rock

Well, Wilsman and Chitrick are kids, that's not the men of my life, I know. And I've been calling them Mr. and Mrs., I respect the order for sure.


The low quality recording features a lullaby that contains wide sustained strings melody, leaning more towards the left channel and arpeggiated, mellow piano melody in the right channel of the stereo image. There is a short audio pop sound in the middle of the loop. It still sounds emotional and passionate.

Punishments mine The harmonies silent today Cut into the still

low quality
lullaby
wide sustained strings melody
arpeggiated mellow piano melody
soft passionate female vocal
audio pop
passionate
emotional

Punishment's mine The harmony's silent today Cut into the stillness


The male voice is singing while male backing voices are underlining some phrases. They are adding harmonies to his singing. An acoustic drum and e-bass are holding the groove while a piano and e-guitar are playing the same chords. Another e-guitar is playing a melody, almost repeating the singer's melody as a response. The e-guitar is running through an effect. The guitars are panned to the left and right side of the speakers. This song may be playing at a scene of a rom-com movie.

Breathe through lungs. It's hard to believe with the arms you'll receive. You lift your head.

light positive and melancholic atmosphere

synth pads
string arrangements
uplifting lyrics

Breathe through lungs It's hard to believe With the arms you'll receive You'll lift your head


The drums are playing a steady rock groove with a half open hi hat constantly ringing through the song. The e-guitar is panned to the left and right side of the speakers or two e-guitars are shredding the same distorted chords along with the bass silently playing in the background. The female voice is singing in a higher pitch and is accompanied by a female backing voice singing a deeper harmony. This sounds like a typical high school rock song. This song may be played chilling in your room sitting on the bed daydreaming.

There's a reason why I need Something in my past created vision

rock
female higher register voice
acoustic drums
e-guitar
e-bass
uptempo
high school rock

There's a reason why I need Something in my past created this


A male singer sings this gentle country music melody. The song is slow tempo with banjo, mandolin and guitar accompaniment and a double bass playing the lower register harmony. The song is emotional and nostalgic. The song is a country music hit with an average audio quality.

Times are hard since they closed the mill down

male singer
country music band
double bass
mandolin
american country music
nostalgic
story telling
average audio quality
live performance
ambient room noise
ukulele accompaniment
guitars rhyme
guitar band
country folk musical folk singer
slow tempo
gentle music
country music hits
romantic
emotional
lilting melody

Times are hard since they closed me down


A male vocalist sings this soft melody. The tempo is slow with acoustic guitar accompaniment. The song is soft, mellow, dulse, emotional and gentle with minimal music. The song is a Christian Gospel Song.

the door i will come in to him and sup with him

male singer
slow tempo
soft melody
acoustic guitar accompaniment
mellow
emotional
devotion
christian gospel song
christian song
christian praise and worship
reverence
devotion

I will come in to Him and sup with you.

I will come in to Him and sup with you.


A female singer sang this pop melody with female backup singers in vocal harmony. The song is fast tempo with various percussion instruments, but with a steady drumming rhythm, percussive bass line, guitar rhythm and keyboard accompaniment . The song is youthful and a  party dance song. The song's audio quality is poor.

Together as one,Together as one,Together as one

keyboard accompaniment poor audio quality

Together at Four

Together at Four

Together as one

Together as one


The music features a female voice quietly singing a melody. A harp is accompanying the singer. Violins can be heard fading out from the beginning of the music excerpt. In the background one can hear the wind blowing softly. Towards the ending of the music excerpt a low pitch percussive sound can be heard.

Fear in all manner of coups, hacks and raids For your dolly Polly's free

quiet female voice
harp
strings
wind sound
still atmosphere
low pitch percussive sound

ethereal choir
piano
subtle electronic beat

Fear in no manner of goose-hugs and raves, For your dolly pollies spread.


This is a quintessential indie garage rock band. The singer is calm and sings with a sort of haunting demeanor typical of this style. It's a live recording and the audio is of low quality. The singer goes off-pitch at one point.

Never let that hurt to fade When eternal walks away

rock
alternative rock
indie rock
live recording
low quality recording
live performance
rock band
electric guitar
electric bass guitar
calm emo male singer

drums
vocals
distorted guitar
energetic
melancholic

Never let that hurt you babe When you turn to walk away


This slow rock song features a female voice singing the main melody. This is accompanied by a piano and no other instruments. The piano plays chords backing the voice. It fills in between lines. The mood of the song is relaxing. This song can be played at a coffee shop.

was free. A black star, black star, black star.

low quality recording
piano music
female voice
easy listening
slow rock
relaxing music
no other instruments
no percussion
slow tempo

melancholic lyrics
minimalistic production
soft vocals