This reggae song features a male voice singing the main melody. Another voice is singing in harmony with the main voice. This is accompanied by reggae percussion. A timbale is played on every third count. Jam blocks are also played in the background. The bass plays a funky bassline with a reggae feel. Synth sounds are played in the background. This song can be played in a bar.

my journey cause it's no comfort zone i'm traveling on a musical journey oh lord it's a rocky road

reggae song
male voice
vocal harmony
reggae drums
funky bass
moderate tempo
shaker
timbale
jam block

ska influences
hammond organ
upbeat lyrics

my journey. Cause it's no comfort zone. I'm jumping on the music I'm turning. Oh Lord, it's a rocky road.


This heavy metal song features a male voice singing the main melody. The song starts with male voices singing 'hey, hey'. This is accompanied by aggressive percussion playing a rock beat. A distortion guitar is playing lead fills and another distortion guitar playing power chords. The bass plays the root notes of the chords. Another voice comes in and is screaming at a high pitch. This is accompanied by continuous snare hits for 8 bars. The main voice starts singing at this time and is accompanied by rock percussion. The bass plays the same root notes once again and the distortion guitar plays a riff in the background. The other guitar continues to play lead fills. The mood of this song is defiant. This song can be played in a rebel themed movie.

I'm a cowboy, badass, and black singing.

heavy metal song
aggressive percussion
male voices
screaming vocals
distortion guitar
bassline
guitar fills
aggressive voice
defiant mood

Hey, hey, hey! I'm a cowboy, badass and black singing!


The low quality recording features an electro song that consists of flat male vocals, alongside widely spread male barking onomatopoeia, singing over shimmering shakers, sizzling triangle, tinny cowbell, punchy kick, punchy snare and groovy bass. It sounds energetic and addictive, even though it is a bit repetitive.

Who let the dogs out? Who let the dogs out? Who let the dogs out?

low quality
electro
punchy snare
punchy kick
groovy bass
flat male vocal
male barking onomatopoeia
shimmering shakers
sizzling triangle
tinny cowbell
energetic
addictive
repetitive

Who let the dogs out?

Who let the dogs out?

Who let the dogs out?

Who let the dogs out?


This is an acoustic comedic piece. The male vocalist is singing in a manner similar to a bard, telling us a story. He is also playing the melody on a ukulele at the same time. The tune is very simple and easygoing. The atmosphere is jovial. This could be used in the soundtrack of a comedy movie or in the background of a funny video.

right to the top the blushing bride she looks divine the bridegroom he is doing fine i'd rather have his job than mine when i'm cleaning windows there's a famous talk

comedic
ukulele
male vocal
story-telling mood
repeated theme
simple
jovial
easygoing
acoustic

right to the top. The blushing bride, she looks divine. The bridegroom, he is doing fine. I'd rather have his job than mine. When I'm cleaning windows, there's a famous talk


A male vocalist sings this spirited song. The tempo is fast with keyboard harmony, piano accompaniment,groovy bass lines, digital drum and synthesiser arrangement. The song is catchy, enjoyable, youthful, energetic and vivacious with recurring and insistent rhythm and a dance groove. This song is a Reggae song.

Word sounding power Word sounding Iowa Word sounding power

male singer
fast tempo
boomy bass lines
vibrant
enthusiastic
energetic
passionate
piano accompaniment
reggae
folk
jamaican folk
catchy vocal riff
keyboard harmony
repetitive rhythm
insistent
synthesiser arrangements
raspy vocals
upbeat
vibrant
enthusiastic
energetic
minimal instruments
electronic instruments
digital drum

Word, sound and power. Word, sound and Iowa. Word, sound and power.


A male singer sings this passionate melody. The song is medium tempo with an amplified guitar playing a distant rhythm with a percussive bass line. The song has ambient noises like rain pattering down, thunder rumble sounds and ambient noise. The sound quality is poor with hissing tones. The song is an amateur metal music video.

you and how much I care for you and how glad I am

male singer
bad audio quality
ambient noises
rumbling tones
amateur music video
no percussions
thunder noise
lightning
guitar accompaniment
groovy bass line
rain sounds
emotional metal song
angst
love song
passionate
disturbed mind
hurt
youthful
spirited

powerful vocals
heavy guitar riffs
dark lyrics

You and how much I care For you and how glad I am


The Country song features a fruity male vocal singing over percussive acoustic rhythm guitar, simple bass and keys chords. It sounds emotional, passionate and heartfelt - like something you would hear in the old pubs and bars.

Then the mail your letter came The ink and paper looked

country
percussive acoustic rhythm guitar
keys chords
fruity male vocal
emotional
passionate
heartfelt
simple bass

soulful female backing vocals
uplifting lyrics
dynamic fiddle

And the mail your letter came, the ink and paper looked


This is a trap music piece done in the style of Michael Jackson. There is a male vocalist singing in a very accentuated manner. In the rhythmic background loud electronic drums can be heard with the cicada beat on the hihats which is essential to the trap scene. There is a strong electronic bass sound accompanied every now and then by an electric guitar sample.

Now I gon' sleep with little boys I don't nobody made that noise I don't know the reason But them boys they got me paranoid

trap music
parody
male voice
electronic drums
strong bass
guitar sample
loud

Now I gon' sleep with little boys I don't know nobody made that noise I don't know who leave it on them boys They got me paranoid


A male voice is rapping/singing in a higher pitch. His voice is strongly processed with effects. Also with autotune. The instrumental contains digital drums with a strong kick with a subbass. With every hit a synthesizer pad is playing along. This is an amateur recording. This song may be playing in a recording studio.

They come bend down, par-they, they bend down, par-they, check how that was then, this is now, if you leave, then he foul, and you can call me what you want, yeah, bitch, you know

rap
male processed voice rapping/singing
autotune
digital drums
synthesizer pad
subbass
medium to uptempo

I'm down, but it ain't been down all day chick. How that was then this is now what's relieved any foul? You can call me what you want. Yeah, but you know


This is a glam metal/heavy metal ballad. There is a male vocal and male back vocals singing melodically. The melody is being played on an electric guitar with a chorus effect applied alongside a bass guitar. The rhythmic background consists of a rock acoustic drum beat.The atmosphere is both hard-hitting and sentimental at the same time. This piece could be playing in the background of a rock/metal bar. It could also be included in the soundtrack of an 80s themed romance movie.

Even though I could, I will forget you, baby.

glam metal
heavy metal
ballad
male vocal
male back vocals
electric guitar
bass guitar
acoustic drums
hard-hitting
sentimental
medium tempo

power ballad
screaming vocals
synthesizer
shredding guitar solo

Even though I could, I won't forget you baby


The music features a female voice singing with a reverb effect and out of tune. An acoustic guitar accompanies the singer with chords and arpeggios. In the background a synth sound that resembles an instrument with strings plays arpeggios.

Oh my child, my jewel, my love, my heart's the sun

female voice
out of tune
reverb effect
acoustic guitar
synth sound

Oh my child, my joy, my love, my heart's desire


This hip-hop song features a male voice rapping the main lyrics. This is accompanied by programmed percussion playing a simple beat. Hand claps are played on every alternate count. The synth plays a repetitive melody in loop. The bass plays the root notes of the chords in harmony with the synth. This is a moderate tempo song. This song can be played in a club.

So the bullies, but they ain't like our gang. Cause we bully the dance. Poet with a bottle of Moe, full glass. The catty with the big ass looks mean.

hip-hop song
rap
male voice
synth backing
hand claps
repetitive synth melody
moderate tempo
club music
programmed percussion
bass

say the bullies but they ain't like our gang cause we bully the dance poet with a bottle of moe full glass the catty with the big ass looks mean


The track is an upbeat blues song that features falsetto and raspy male vocals. A drum kit plays an energetic and happy beat. A bass guitar follows the rhythm and adds a bouncy vibe to the song. The overall sound of the instruments is bright and happy. A guitar follows the bass and the drum kit.

Come on, come on. Say that you love me. Say that you love me.

blues
upbeat
falsetto male vocals
raspy male vocals
fast tempo
blues drum kit
positive
happy
bright male vocals
bouncy bass

Come on, come on, say that you love me.

Come on, come on, say that you love me.


This song contains acoustic drums playing a groove along with an e-bass and a tambourine. A brass section is playing along with the drum fills  and the bongos. A piano is playing a melody together with a guitar strumming chords in the mid range. The male singer sounds loud and soulful. This song may be playing in a rollerblade disco.

Never have to learn before to get up on the floor.

r&b/soul
e-bass
brass section
e-guitar
bongos
acoustic drums
male voice singing
tambourine
piano
medium to uptempo

vocal harmonies
string section
synthesizer

Never had the nerve before to get up on the floor.


This is a rock music piece. There is a male vocalist singing melodically in the lead. A clean sounding electric is playing the main tune while a piano later joins in for texture. There is a mild sounding bass guitar. A basic rock acoustic drum beat provides the rhythmic structure. There is a gloomy aura to this song. It could be used in the soundtracks of drama movies and TV shows.

In the sound of silence In restless dreams I walked alone

rock
male vocal
melodic singing
electric guitar
piano
bass guitar
acoustic drums
gloomy
bleak
medium tempo

distorted guitar
heavy drums
emotional lyrics

In the sound of silence, in restless dreams I walked alone.


This is an American folk music piece. There is a male vocal singing melodically as the lead and there is a male back vocal accompanying the lead in different harmonies. The melody is composed of a rich amalgam of chordophones such as the fiddle, the acoustic guitar, the bass guitar and the banjo. The atmosphere is easygoing but melancholic. This piece could be playing in the background at an American diner or a pub. It could also work well in the soundtrack of a movie taking place in rural USA.

White dove will mourn in sorrow, the willows will hang their

american folk music
country
male vocal
male back vocal
folk singing
fiddle
acoustic guitar
banjo
bass guitar
cozy
easygoing
melancholic
slow tempo

White dove will morn in sorrow, the willows will hang their


The music features a mix between jazz and soul music. The instrumental is easygoing and fun. A male singer with a seductive and appealing voice sings a fun melody. A saxophone plays a melody in the background that adds texture to the instrumental. The music is a live recording of a performance.

Oh baby, don't you know you're cutie pie? Fantastic, oh baby.

jazz fusion
r&b/soul
easygoing
appealing male vocals
seductive saxophone
mid tempo
fun
jazzy drum kit
live music

upbeat bassline
groovy guitar riffs
soulful backing vocals


This slow rock song starts with an acoustic guitar playing chords in fingerstyle. For each chord, a pedal bass note is played while the higher pitch notes are played in a repeated sequence of three notes being played one after the other. A male voice sings the main melody. There are no other instruments in this song. This song can be played in a movie scene where a car is driving across a deserted highway.

slow rock song
male voice
acoustic guitar
fingerstyle guitar
moderate tempo
no other instruments
no percussion
pedal bass notes

Will I close my eyes

Will I close my eyes

Will I close my eyes?

Will I close my eyes?


Someone is playing an acoustic guitar while a female voice is singing/yodeling in a higher pitch. in the background voices can be heard. This is an amateur recording. This song may be playing at a local folk-event.

country/yodeling
acoustic guitars
female voice singing/yodeling
higher register
amateur recording
slow tempo
background voices

Yodel-ay-ay, howdy-lo, howdy-dee

Yodel-ay-ay, howdy-lo, howdy-dee

Yodeling, hey, howdy loo, howdy lee

Yodeling, hey, howdy loo, howdy lee


A piano is playing chords in the left hand in the midrange while repeating the same two notes in the higher register. A female voice is singing a melody over the chords. This song is an amateur recording. This song may be playing in a musical.

Oh, son, I wait and I listen for one more sound, for one more lovely thing that the hills must.

ballad
acoustic piano
female voice singing
uptempo amateur recording

guitar strumming
lyric about lost love
harmonized background vocals

Oh, shall I wait and I listen for one more sound, for one more lovely thing than the hills


Someone is playing a composition using a minor chord with a lot of reverb. In the background you can hear soft strings underlining the song then a high violin comes in. A female voice is singing softly and sensitively. You can hear her breathing and mouth noises in the recording. Her voice is also full of reverb. This song may be playing in an emotional and sensitive/sad movie-scene.

Just breathe and you'll be safe and sound with me

lullaby/pop
acoustic piano
violin
female voice singing
calm
sensitive


A male singer sings this jazz melody with the backup singer in vocal harmony. The song is medium tempo, with saxophone harmony, ska drumming rhythm and a good bass line. The song is entertaining and groovy. The song is a classic jazz tune played in ska style.

See the sunbeams that shine, they o'er and thereby love can come to everyone. The blessings in life are free.

male singer
reggae music
ska band
dance rhythm
people dancing
band recording
classy
medium tempo
guitar accompaniment
bass guitar
saxophones harmony
backup singer
vocal harmony
groovy bass line
jazz music
funky jazz
percussive horn section
joyful
passionate
medium tempo
syncopated vocals
ska orchestra
jazz hits
life’s truths

See, the sun beams that shine, they yours and they're mine. Love can come to everyone. The best things in life are free.


The low quality recording features a children's song played on TV that consists of funny male and female vocal singing over mellow piano chord progression and happy sounding bells melody. It is really noisy and in mono, but it sounds happy and fun - like something kids would listen to.

That wouldn't seem unusual for me, but sometimes something happens.

low quality
thin
noisy
funny male vocal
funny female vocal
fun
happy
happy sounding bells melody
mellow piano chord progression
children song
mono

upbeat tempo
catchy chorus
whimsical lyrics

That wouldn't seem unusual, well tell me, but sometimes something happens.


The low quality recording features a lullaby song that consists of widely spread intimate female vocals singing against each other, creating a bit of a chaotic atmosphere. There are also sustained strings melody and mellow piano melody playing in the background. The stereo image is unbalanced and it sounds soft, haunting and chaotic.

punishment you would wait on my side alone today but into the still

low quality
wide intimate female vocals
sustained strings melody
mellow piano melody
unbalanced stereo image
chaotic
soft
haunting
lullaby

ethereal background vocals
subtle guitar accents

punishment's mine, the hate on my side's out today, cut into the steel


A female singer sings this poignant melody. The song is slow tempo with an electric guitar buzzing harmony, piano accompaniment, steady drumming rhythm, keyboard harmony, groovy bass line and Tambour percussions. The song is emotional and melancholic. The song is a poor quality recording of a classic pop song.

female singer
grunge keyboard tones
classic pop hits
dreamscapes
tambourine percussions
steady drumming rhythm
booming bass line
traditional percussion rhythm
chaotic harmony
poor audio quality
electric guitar tremolo tones
piano accompaniment
pop song
classic pop song
inspiring
emotional
slow tempo
trudging drum rhythm
sadness
melancholic

Flying in circles, just trying to land.

Flying in circles, just trying to land.

Flying in circles, just trying to land.

Flying in circles, just trying to land.


The drums are playing a funky groove together with the e-bass. An almost clean e-guitar is playing an additional melody in the background. A male and female voice are singing together accompanied by a string section in the background while a brass section is giving short and strong responses as a buildup and breakingpoint. This song may be playing at a veny-shop.

But hey, it feels so groovy to say I dig, I can Tina Turner when I start

rock&rollmusic
brasssection
e-bass
string section
male and female singer
e-guitar
mood-lifting
uptempo

But hey, it feels so groovy to sing. I dig. I can Tina Turner when I start.


This gospel song features a female voice singing the main melody. There are other female voices singing in harmony with the main voice. This is accompanied by simple percussion playing a minimalist beat. The bass plays the root notes of the chords with no flourishes. There are strings playing fills in the background. A piano plays arpeggiated notes in between lines. The song is sung with a passionate voice. This song can be played in a movie with a Christian theme.

gospel song
female voice
pop song
passionate emotion
female backing voices
string backing
simple percussion
simple bass
piano

and you're holy, yes you are.

and you're holy, yes you are.

You're holy, yes you are

You're holy, yes you are


someone is playing a digital piano composition while a male voice is singing loudly a melody with long notes. In the background birds chirping and other noises can be heard. This is an amateur recording. This song may be playing in a live performance.

singer-songwriter
digital piano
male voice singing
environmental noises
medium tempo
soothing
emotional
amateur recording

And your eyes, your eyes

And your eyes, your eyes

And your eyes Your eyes

And your eyes Your eyes


A quirky drum machine and warm synth bass provide the accompaniment for a female singer with noticeable reverb. A wild theremin with delay and wide aggressive vibrato enters to give the music a wild sci-fi feel.

female singer
synth bass
reverb
theremin
unconventional
retro
sci-fi
quirky drum machine
wide aggressive vibrato
wild

futuristic sound effects
glitchy electronics
spooky melodies

Once and for all, you'll doubt to me

Once and for all, you'll doubt to me

Once and for all, you doubted me

Once and for all, you doubted me